by Shane Boulware ‧ RELEASE DATE: May 20, 2020
A measured but engaging start to what’s sure to be an epic supernatural saga.
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In this debut horror novel, a teenager learns he’s the vessel for a millennia-old demon who regularly feeds on human souls.
Nythan Dwienz is a cadet in the United States Air Force Reserve Officer Training Corps at the University of Central Florida. While housesitting for a friend, he faces an armed intruder. But during the assault, the culprit suddenly dies after a “silver gas” exits his nostrils and enters Nythan’s mouth. Nythan begins hearing a strange voice, and following a second unexplained death, he accepts that a demon resides within him. As this demon, who goes by Bane, is eating souls, Nythan wants to oust the entity from his body. But this doesn’t seem possible, so the demon recommends the two work together. Bane has been with Nythan since the 19-year-old was an infant and has been hiding from enemies, like interrogators of the Roman Catholic Inquisition, for a long time. He has “support groups”—the Raptors, the Unas, and Sanhe—that see Bane as “the Great One,” with members sacrificing themselves for his soul consumption. Apparently, his most significant adversary is the Ordo Solis, which still exists and is threatening Bane with reputed video evidence of his recent return. Bane’s followers’ offering their souls is one thing, but Nythan feels guilt about killing members of the Ordo Solis and others. He consequently proposes peace between that group and Bane’s followers in Covens around the world. But if Nythan’s plan fails, there’s a frightening chance that a war will ensue.
In this supernatural series opener, Boulware lays a solid foundation for Nythan and Bane’s duality. The two have conversations in Nythan’s head. As Bane never takes control of the teen’s body, he often suggests things for Nythan to do or say. Similarly, Bane’s eating souls benefits Nythan as well, as it boosts his stamina and mental capability. That’s also the source of their conflict: Nythan endlessly struggles with inhaling others’ souls, which he and Bane sometimes do to vanquish enemies. As Nythan has many questions for Bane and Coven members in Mexico, Nicaragua, and other places, much of the novel is dialogue. There are likewise just as many discussions on strategy as there are action sequences, though the latter half of the story picks up considerably. Notwithstanding the plethora of deaths, violence in the narrative is relatively muted and never excessively graphic. In addition, the author censors the abundance of vulgar language. Bane, though generally ambiguous, is intriguing. Some seem to believe he’s a deity, but he notes points in his life—occasionally mingling with real-life historical figures like Thomas Jefferson—as if he had been human. He clarifies a bit of his origin near the tale’s end but still leaves much unexplained. Overall, the story puts religions like Hinduism and Christianity on common ground, as it clearly shows that no one belief is more accurate than the rest. Boulware also maintains a consistent tone: Humor periodically alleviates this somber tale but never undermines the gravity of Nythan’s overwhelming circumstances.
A measured but engaging start to what’s sure to be an epic supernatural saga. (note to readers, acknowledgements, author bio)Pub Date: May 20, 2020
ISBN: 978-1-73470-632-1
Page Count: 384
Publisher: THEORYbee
Review Posted Online: July 21, 2020
Review Program: Kirkus Indie
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BOOK REVIEW
by Thomas Schlesser ; translated by Hildegarde Serle ‧ RELEASE DATE: Aug. 26, 2025
A pleasant if not entirely convincing tribute to the power of art.
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New York Times Bestseller
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
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SEEN & HEARD
SEEN & HEARD
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
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