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1001 NIGHTS IN IRAQ

THE SHOCKING STORY OF AN AMERICAN FORCED TO FIGHT FOR SADDAM AGAINST THE COUNTRY HE LOVES

The splendidly preposterous facts overwhelm any infirmities in the telling of this amazing personal history.

Strangely compelling memoir by a self-described “man without a country,” who relates his survival in and escape from Saddam’s war-torn Iraq.

Following his parents’ acrimonious divorce in 1978, 14-year-old Kenderian left Iraq with his mother and brother for the U.S. Seeking reconciliation with his father, he returned two years later, only to have Iraq’s borders close behind him at the outbreak of war with Iran. It lasted eight years; Kenderian ended up securing an engineering degree and serving in the Iraqi Navy. In 1990, after his father’s death, he tried to renew his green card, but before the process could be completed, he found himself an unwilling conscript fighting yet another of Saddam’s unprovoked wars. During the invasion of Kuwait and Operation Desert Storm, Kenderian decided his only chance of returning to the U.S. was to be captured by the Americans. His audacious plan succeeded, but not before a series of bizarre twists and turns more reminiscent of Kafka than Arabian Nights. The author and his frightened, unwilling comrades were sent into battle without sidearms, proper-caliber ammunition for the ship’s guns, medicine or sufficient food. Kenderian’s boat hit an Iraqi mine and was strafed by an American plane; he became the Gulf War’s 23rd prisoner of war. At a succession of POW camps, his captors thought he was a spy, while his fellow captives were suspect of the unusual attention he received from the guards. Sustained by his considerable wits, his deep religious faith, his unlikely love affair with truck-driving American servicewoman Monica and the intercession of family and friends in the outside world, he eventually made his way to his mother’s house in California. Kenderian’s account is at some points overly guarded; his parents’ story and his connection with Monica, for example, should have been discussed in more detail. His prose, an odd mixof world-weariness and naïveté, is also problematic.

The splendidly preposterous facts overwhelm any infirmities in the telling of this amazing personal history.

Pub Date: June 1, 2007

ISBN: 1-4165-4019-9

Page Count: 288

Publisher: Atria

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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