Miller’s lighthearted touch effectively delivers a serious, necessary message about respecting boundaries.
Miller tells it like it is while giving children of color permission to set boundaries when people reach out to touch their curly, kinky, or nappy hair.
Aria, a brown-skinned protagonist, opens this picture book by introducing herself with a double-page, gutter-spanning image of her smiling face and her full head of hair that takes up three-quarters of the spread: “I’m Aria, and this is my hair.” Aria loves her hair, but others do too—so much so that they want to touch it even without permission. Aria decidedly does not like this. To demonstrate how she avoids touching hands, she appears eight times on one page—in full aerial split, karate-style airborne kick, curled into a fetal position, tentative headstand, and more—hemmed in almost all the way around by groping, outstretched hands. Even when she attempts to escape underwater, an octopus and a mermaid chase her, tentacles and arms extended. Wherever she travels, she can’t get away from this threat…until she learns a strategy that works. Miller’s variegated watercolor, pencil, and ink illustrations effectively portray Aria’s verve as well as her frustrations. The cover image and several others depict disembodied hands and arms in many skin tones reaching for Aria’s hair, suggesting that this intrusive behavior can come from anyone.
Miller’s lighthearted touch effectively delivers a serious, necessary message about respecting boundaries. (Picture book. 3-8)Pub Date: Nov. 6, 2018
ISBN: 978-0-316-56258-4
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
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BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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