A tragic death and a slew of suspects ignite this incendiary tale.
In Fairhill, Vermont, a community where nothing seems to happen, a violent death exposes the cruelty hiding beneath the town’s supposedly placid surface.
Diana Brewer’s body is found in a farmer’s field, and what initially seems to be a crime novel walking a well-worn path of plot points and tropes instead travels in a new direction. Lapena rolls out a story unique and timely in its telling. No one can imagine who could have killed Diana, a high school senior, and suspicion immediately turns to her possessive boyfriend, Cameron Farrell. He might have been the last person to see her alive, but the police have additional suspects. Any of them may or may not be murderers, but when their interactions with Diana are exposed, it becomes clear none of them is innocent. The throughline in this astutely observed story is that as much as young women want to take charge of their own lives, there are men who want to control and abuse them. Lapena makes sure Diana’s spirit is profoundly present, first as she’s looking down from above on her dead body, then as she observes her mother’s grief, the interrogation of suspects, and the pain her friends suffer as a result of her death. Equally fascinating is the portrayal of the fiancee of one of the suspects, who’s torn between his insistence that he’s not guilty and the strong possibility that he’s not the person she’d planned to marry. As much a commentary on how women’s concerns and accusations are often dismissed as it is an intense crime story, Lapena’s novel excavates the ways so-called responsible adults don’t do enough—a crime in itself—to keep young women like Diana safe. “How many ways,” Diana asks after her death, “can a girl be assaulted?” The novel’s emotional heft will linger with readers.
A tragic death and a slew of suspects ignite this incendiary tale.Pub Date: July 30, 2024
ISBN: 9780593489963
Page Count: 320
Publisher: Pamela Dorman/Viking
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
A fun read. Terrorists make great Clancy fodder.
Evildoers plan attacks from America to India, and Jack Ryan Jr. is a prime target.
In Washington state, a man and his family are murdered, and President Jack Ryan learns it is another Poseidon Spear incident. Three retired members of that counterterrorism group have been killed now, and the U.S. government suspects a mole in its midst. Meanwhile, the Umayyad Revolutionary Council believes it has a holy and wholly anti-American mission. Against this backdrop, Jack Ryan Jr., and his fiancée, Lisanne Robertson, visit Delhi, India, to attend the wedding of Srini Rai, the brilliant surgeon who attached Lisanne’s prosthetic left arm. Lisanne had lost her arm in Tom Clancy Shadow of the Dragon (2020). Jack and Lisanne are both operators working for the Campus, a covert group that executes secret presidential directives. A wedding is a happy occasion, and the engaged American couple intend the trip as a vacation. Jack and Lisanne will attend a sangeet, an elaborate pre-wedding party. But it isn’t long before they survive a suicide bomb attack. As with all Clancy novels, there’s plenty of action on a global scale. In simultaneous strikes, terrorists plan to contaminate America’s Western water supply with radioactive waste from Washington’s Hanford nuclear power plant, blow up a spectacular new bridge in Kashmir, and kill the evil Ryan—or Junior, at least. It will be At-Takwir, the end of days. There is an appealing mix of Indian culture, high-speed action, and the rich lode of details that characterizes the whole series. And in the background lingers the question on several characters’ minds: Have Jack and Lisanne set their own wedding date?
A fun read. Terrorists make great Clancy fodder.Pub Date: Sept. 2, 2025
ISBN: 9780593718032
Page Count: 448
Publisher: Putnam
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: today
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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