Insightful, relevant reading for these times.
A former Harvard professor ruminates on race in America from her perspective as a Southeast Asian woman.
Before Sen, the executive editor at large at Harvard University Press, immigrated to the United States in 1982, she had never used race-based labels to identify herself. In her native Calcutta, people identified each other by the languages they spoke or the gods they worshipped. Through a series of four intertwined personal essays, the author traces her evolution from Indian immigrant to resisting “Not White” American. Sen begins in 1970s India, which she recalls as a place where a child’s future success depended on getting into schools that taught English. By knowing a few words of this colonial language, Sen was able to matriculate at a Catholic school where the main divide was between Hindu and Christian Indians. After relocating with her parents to Boston, Sen realized that she and her family—who were neither “chic expats [nor] political dissidents with lofty ideologies”—were in America for the most mundane of reasons: to improve their economic status. Desperate to fit in, the author immediately set about “acquir[ing] a new American accent” by watching shows like General Hospital and Happy Days. During high school, college, and graduate school, Sen became increasingly aware of the American minefield of race. As she “silently accepted the badge of honorary whiteness,” she also learned to expose small parts of her culture in ways that made her seem less like an exotic “other” willing to play into pre-existing Indian stereotypes and more like “a brown woman mimicking a white man pretending to be a brown man.” She eventually channeled her rage at being forced into whiteface performance by calling herself “Not White.” In naming whiteness, she realized that she could challenge both the dominant culture’s “powerful invisibility” and its monopoly on the title “American.” Timely and eloquent, Sen’s book is a welcome addition to the growing body of literature that engages with the topic of race from outside the white/black binary.
Insightful, relevant reading for these times.Pub Date: Aug. 28, 2018
ISBN: 978-0-14-313138-0
Page Count: 224
Publisher: Penguin
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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