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The Will O'Wisp: A Memoir

Beautifully wrought memoir of a modest American dream morphing into a terrible nightmare.

A woman looks back on her dysfunctional family life growing up in New Jersey and abroad.

As much a profile of her disturbed mother as a memoir of the author’s youth, Ann’s crisp, assured memoir presents a depressing landscape inhabited by damaged people. The story begins in 2004 with the author driving from Alaska to the Appalachians to visit her aged mother. “Can…you…forgive…me?” her mother asks—an ominous foreshadowing of what’s to come. The story then flashes back to the 1950s, with the author the youngest child of an Italian-American factory worker and an Irish woman he’d met in England at the end of World War II. Ann was a daddy’s girl but feared early on that her depressed mother, Eileen, didn’t love her family. After divorcing Ann’s passive father, Eileen tried to turn their kids against him. Spiraling down to shabby neighborhoods and taverns, she married an officer in the Army Corps of Engineers, and the family’s fortunes improved even if their home life didn’t. Eileen—“an alcoholic Irish floozy with a passel of half-grown brats”—tried to fit into middle-class suburban life by hiding her kids in the basement, belittling them to strangers, and converting to Protestantism. Equally unsuccessful at assimilating, Ann moved with the family to the Azores and Okinawa, becoming even more of an outsider and eventually being institutionalized back in New Jersey. The book ends decades later with Ann as a grown woman in Alaska, reflecting on the deaths of her mother and her middle-aged sister, who had tried to live up to their mother’s impossible standards. The clear, sometimes darkly humorous, and often beautiful writing runs counterpoint to the craziness and ugliness of the life Ann describes. She delivers a powerfully sad story, at times dwelling a bit too much on the quotidian activities of childhood, such as playing doctor with a young neighbor boy. But the tales of this broken family ring true and resonate in the personal details the author reveals. All the characters are lifelike and believable in their human imperfections. Especially convincing is the finely wrought portrait of a mother who seems to hate her life and, often, even her children.

Beautifully wrought memoir of a modest American dream morphing into a terrible nightmare.

Pub Date: N/A

ISBN: 978-1-105-99335-0

Page Count: 306

Publisher: Lulu

Review Posted Online: Sept. 2, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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