From the prolific Canadian author of the novels Gates of the Sun and Luna (not reviewed), among other works, an earnest, sometimes tedious account of a young woman's exploration of family history. Mousy Chloe, a special ed teacher in Saskatoon, Saskatchewan, is married to Doug, a condescending grad student who's won a grant to do research in Scotland. Before going off to join him, Chloe goes on a cross-country drive and finally admits to herself what everyone else has known all along—that Doug is embroiled in an affair with a flashy fellow student who just happens to be in London that summer. When her mother is scheduled to have a breast lump biopsied, Chloe seizes the excuse to postpone her departure for Scotland. Then she agrees to accompany her father, whom she dislikes for unspecified reasons, to a cousin's wedding up in the French-speaking countryside where he's lived since splitting from her mother. Chloe has given surprisingly little thought to her mixed heritage (her father is French Catholic, her mother English Protestant). Meanwhile, she sends a letter off to Doug, asking about the presumed mistress. She also goes on a date with a flirty local poet, hangs out with various French salt-of-the-earth cousins, and even bonds a bit with her father. Armed with a French- English dictionary, Chloe peruses her grandmother's diaries and begins to understand the taboos that were broken when her parents married. Finally, the awaited letter comes from Doug, confirming Chloe's suspicions, and a serious accident cuts short the father- daughter reconciliation. We're given to believe, however, that Chloe's sunny idyll has grounded her enough so that real self- discovery may begin at last. She starts out so clueless that there's some pleasure in watching her baby-steps toward maturity, but other characters are frustratingly opaque: Various crises are merely hinted at, Chloe harbors much resentment, but her rogue relatives seem guilty of little more than occasional bad temper. Meandering, then, and only mildly engaging.
Pub Date: March 27, 1997
ISBN: 0-00-648113-2
Page Count: 256
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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