ENEMY TERRITORY

Two boys who have been taught to hate each other are thrown together in a Jerusalem hospital.

Sam, an Israeli teen, was struck by a military truck and does not want to lose his leg to amputation. Yusuf, a Palestinian teen, lost his left eye and is now fighting an infection that may spread to his brain. One night, for reasons of rebelliousness, curiosity and honor (and quite frankly, to impress a girl, an impulse that crosses all cultures), the two find themselves sneaking out of the hospital to explore the Old City. However, only a few steps in, they become lost, have to run from the police and face persecution for being together at every turn. With Yusuf hardly able to see and Sam hardly able to walk, getting back to the hospital seems impossible. In an adventure story set over the span of one night, McKay, who has proven her abilities to write about cultural discord (Thunder Over Kandahar, 2010), portrays the Israeli-Palestinian conflict in incredibly human terms. There is blame and wariness between the two boys, but ultimately they must let go of learned prejudices and trust each other in order to survive. In this fast-paced narrative, Sam and Yusuf blur together at times—anger is a realistic, defining characteristic for both—but given the overarching theme, that confusion just may be the point.

Slim but powerful. (map, notes, postscript) (Adventure. 10 & up)

Pub Date: Oct. 1, 2012

ISBN: 978-1-55451-431-1

Page Count: 184

Publisher: Annick Press

Review Posted Online: Aug. 22, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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