Despite an ever-present suspicion that this collection of essays is built on a trite and forced premise, it succeeds in celebrating different views of family, self, and space. The best of these 18 essays, by writers such as Tony Earley, Gish Jen, and James Finn Garner, manage to use the construct of a specific room—hallway, kitchen, front porch—to evoke family history and personal relationships. Richard Bausch, Mona Simpson, and Sallie Tisdale look back to childhood and their grandparents' homes as instrumental in forming bonds with home and family. Henry Louis Gates Jr. tells of the early years of the civil rights movement as seen through the family television set. Colin and Kathryn Harrison each write about bedrooms in their home and touch upon issues of responsibility and familial love. Esmeralda Santiago and Jane Smiley write of their solitude, but come to different conclusions: While Santiago sees the closets of her life as an escape from the burdens of poverty and unhappiness, Smiley's essay on the bathroom, one of the strongest in the collection, is a celebration of the body and the senses. In a lovely essay on a family garden that later becomes the grounds of a hotel, Bailey White paints a multigenerational portrait of family and land, and of the way the passage of time ultimately changes what previous generations strove so hard to construct. The afterword, by Allan Gurganus, is a summing up, in which the objects we surround ourselves with resonate with personal meaning, each with its own tale, each instrumental in creating a personal space to call home. Essays, collected by a husband-and-wife editorial and writing team, that invite the reader into the intimacy of the authors' homes and lives with affection, wit, and honesty.
Pub Date: Nov. 20, 1995
ISBN: 0-679-44206-5
Page Count: 256
Publisher: Pantheon
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 15, 1995
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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