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A MATTER OF TIME

In her first, somewhat charmless book to be published here, Indian writer Deshpande tells a story familiar to readers in the West: a family crisis is triggered when a husband walks out on his wife. Deshpande, the author of 80 stories and seven novels, begins her tale briskly. When Gopal leaves his wife, Sumi, for reasons that are, at first, unexplained, he opens a wound in her through which her family’s legacy pours onto the page. While very little actually happens here, dozens of chapters are spent retelling the history of Sumi’s people. Bearing her husband’s sudden and unexpected departure with unexpected fortitude, Sumi relocates herself and her three daughters to the Big House, her family home. Sumi’s mother, Kalyani, lives there with her husband, Shripati, whose own abandonment of his wife is recalled. Manorama, Kalyani’s mother and Sumi’s grandmother, quietly presides over the unfolding family story, which is rich in abandonments and betrayals. Finally, Aru, one of Sumi’s daughters, completes the circle, and it is her fate in the context of her family’s historical patterns that provides much of the intrigue. The fragments of this history are often moving, but they seem a loose jumble, lacking the particular flavor of a specific perspective. Given the complexity of Sumi’s family tree, Deshpande’s failure to clearly demarcate her characters—readers will be hard-pressed to say what any of them actually looks like—makes for a thinly presented present time, through which recollections dart quickly into view. After a tragedy at the close, Gopal suffers an existential crisis of meaning in his life. Aru sends him away, freshly fortified among the women of her family. The concept here—that the patterns of family history sustain the women who are able to confront and cooperate with them—is compelling, but the execution, with rare exception, is rather dull.

Pub Date: June 1, 1999

ISBN: 1-55861-214-9

Page Count: 272

Publisher: Feminist Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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