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THE RED TREE

Tan, who won the Best Artist Award at the World Fantasy Convention in 2001, creates an unusual work for the very young that illuminates a dark side too often ignored or unacknowledged in children. A little red-haired girl wakens in her room one morning, “sometimes the day begins / with nothing to look forward to / and things go from bad to worse” Dry leaves that look like spiders are falling in her room, and in the gloomy outside, a huge fish looms over her head. There’s a whole page of “sometimes you wait” as we see her counting aimlessly on a surface that becomes a snail’s shell. As she wonders, and wanders, the world is very big and complicated. She returns to her room at the end of the day, and the small red leaf framed above her bed sprouts so that on the floor of her room, a red tree appears. Her idea? Her self? Her dreams? Who knows? And it doesn’t matter. The images are obsessively detailed and full of surreal juxtapositions, and the child, who appears in a tiny boat, trapped in a bottle, and in various Bosch-inspired landscapes, lifts her head and smiles only on the last page, when she sees that flame-colored tree. An imaginative, sad, and ultimately uplifting tale of very few words and extraordinary images. (Picture book. 5-9)

Pub Date: March 25, 2003

ISBN: 0-9688768-3-8

Page Count: 32

Publisher: Simply Read

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2003

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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BIG FOOT AND LITTLE FOOT

From the Big Foot & Little Foot series , Vol. 1

A charming friendship story and great setup for future books.

Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.

Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.

A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)

Pub Date: April 10, 2018

ISBN: 978-1-4197-2859-4

Page Count: 144

Publisher: Amulet/Abrams

Review Posted Online: Dec. 10, 2017

Kirkus Reviews Issue: Jan. 15, 2018

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