Tan’s singular imagination invokes appreciation for the imprint that lingers from someone special, even after separation.
Ever sensitive to the outsider, Tan examines a diminutive foreign exchange student’s visit through the consternation of his hosts.
With a thin, triangular body, spindly appendages, and a head reminiscent of a maple leaf, Eric exudes vulnerability when strapped into a car with a seat belt or peering into an elephant’s cage. His dark-gray form contrasts with the lighter settings in the square panels—one or more to a page—rendered in graphite. The narrator and Mum are not depicted. This story originally appeared in Tan’s Tales From Outer Suburbia (2009). The few changes relate to picture-book pacing: Longer sentences are split to accompany single images; new art and visual tweaks invite slow reflection. Curious and confounding, Eric draws a sink’s drain as a flower (paired with a question mark) and abandons his bedroom for a teacup in the pantry. Such decisions are chalked up to “a cultural thing” by Mum, who only wants him to be happy. When Eric departs, the narrator is bewildered, but readers are then invited to view the pantry for what is “still there after all these years, thriving in the darkness.” Colored pencils create a marvelous array of flowers arising from “small things” Eric had collected, a rainbow-hued thank-you note nestled inside the cup and a familiar shadow on the saucer.
Tan’s singular imagination invokes appreciation for the imprint that lingers from someone special, even after separation. (Picture book. 5-9)Pub Date: Oct. 20, 2020
ISBN: 978-1-338-62208-9
Page Count: 32
Publisher: Scholastic
Review Posted Online: Aug. 31, 2020
Kirkus Reviews Issue: Sept. 15, 2020
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for...
A gentle voice and familiar pitfalls characterize this tale of a boy navigating the risky road to responsibility.
Gavin is new to his neighborhood and Carver Elementary. He likes his new friend, Richard, and has a typically contentious relationship with his older sister, Danielle. When Gavin’s desire to impress Richard sets off a disastrous chain of events, the boy struggles to evade responsibility for his actions. “After all, it isn’t his fault that Danielle’s snow globe got broken. Sure, he shouldn’t have been in her room—but then, she shouldn’t be keeping candy in her room to tempt him. Anybody would be tempted. Anybody!” opines Gavin once he learns the punishment for his crime. While Gavin has a charming Everyboy quality, and his aversion to Aunt Myrtle’s yapping little dog rings true, little about Gavin distinguishes him from other trouble-prone protagonists. He is, regrettably, forgettable. Coretta Scott King Honor winner English (Francie, 1999) is a teacher whose storytelling usually benefits from her day job. Unfortunately, the pizzazz of classroom chaos is largely absent from this series opener.
This outing lacks the sophistication of such category standards as Clementine; here’s hoping English amps things up for subsequent volumes. (Fiction. 6-9)Pub Date: Dec. 17, 2013
ISBN: 978-0-547-97044-8
Page Count: 128
Publisher: Clarion Books
Review Posted Online: Oct. 1, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
BOOK REVIEW
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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