These inscrutable, unsettling sculptures demand that viewers connect art and tale, examining their own reactions to the...
Tan’s latest book is a portable gallery: each spread features an artfully illuminated sculptural scene facing a paragraph-length “explanation”—an excerpt from one of 75 Grimm fairy tales.
Tan created 50 sculptures for Philip Pullman’s Grimms Märchen (2013), a 512-page collection of familiar and lesser-known tales, available only in German. To present his menagerie to English speakers, Tan here adds more stories and art, eliciting text and an introduction from scholar Jack Zipes. Lean, powerful dialogue and descriptions accompany pieces with complex patinas, textured settings, and provocative subjects acting out their vengeance, charity, jealousy, and love. The objects, inspired by Inuit and pre-Columbian figurines, are sculpted from clay over papier-mâché and finished with acrylics, oxidized metal powder, and shoe polish. An evil queen is blood red, all sharp edges. Cinderella’s gilded face is framed claustrophobically by a rough, conical hearth. The titular story features an older brother about to kill his sibling to win their father’s favor. Readers must turn to the summaries at the back of the book to understand this entry (and others). While some will find this format useful, others will yearn for a complete narrative in context; Tan encourages readers to use this alongside Zipes’ The Complete Fairy Tales (1987).
These inscrutable, unsettling sculptures demand that viewers connect art and tale, examining their own reactions to the darkest impulses and glimpses of light within the book—and themselves. (foreword, introduction, bibliography, afterword, annotated index) (Fairy tales. 12 & up)Pub Date: Oct. 11, 2016
ISBN: 978-0-545-94612-4
Page Count: 192
Publisher: Levine/Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.
In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.
Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)Pub Date: May 26, 2026
ISBN: 9781250346797
Page Count: 384
Publisher: Wednesday Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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