These inscrutable, unsettling sculptures demand that viewers connect art and tale, examining their own reactions to the...
Tan’s latest book is a portable gallery: each spread features an artfully illuminated sculptural scene facing a paragraph-length “explanation”—an excerpt from one of 75 Grimm fairy tales.
Tan created 50 sculptures for Philip Pullman’s Grimms Märchen (2013), a 512-page collection of familiar and lesser-known tales, available only in German. To present his menagerie to English speakers, Tan here adds more stories and art, eliciting text and an introduction from scholar Jack Zipes. Lean, powerful dialogue and descriptions accompany pieces with complex patinas, textured settings, and provocative subjects acting out their vengeance, charity, jealousy, and love. The objects, inspired by Inuit and pre-Columbian figurines, are sculpted from clay over papier-mâché and finished with acrylics, oxidized metal powder, and shoe polish. An evil queen is blood red, all sharp edges. Cinderella’s gilded face is framed claustrophobically by a rough, conical hearth. The titular story features an older brother about to kill his sibling to win their father’s favor. Readers must turn to the summaries at the back of the book to understand this entry (and others). While some will find this format useful, others will yearn for a complete narrative in context; Tan encourages readers to use this alongside Zipes’ The Complete Fairy Tales (1987).
These inscrutable, unsettling sculptures demand that viewers connect art and tale, examining their own reactions to the darkest impulses and glimpses of light within the book—and themselves. (foreword, introduction, bibliography, afterword, annotated index) (Fairy tales. 12 & up)Pub Date: Oct. 11, 2016
ISBN: 978-0-545-94612-4
Page Count: 192
Publisher: Levine/Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
A sweet if muddled tale of the magic of Appalachia.
A teenage witch goes up against the evil king of the mountain to save a cursed village.
Witch-in-training Verity Vox has spent a year apiece in different villages, helping in any way she can as she learns her art. When it’s time to move on, she receives a sign that shows her where to go next. When the latest sign appears in the form of a note begging for help that floats down on a leaf, she’s eager for the challenge. Verity winds up in Foxfire, a village in the Appalachian mountains that’s been magically cut off from the rest of the world for years, leaving its people close to starvation. The root of their suffering is a man they know as Earl, who lives in the hills and strikes deals with the townspeople that ultimately cause crops to wither, folks to disappear, and the only bridge out of the valley to crumble. Verity is determined to change the villagers’ fortunes, but to do so she’ll have to face off against not just Earl but the ancient power of the mountains itself. Loosely based on the Germanic Erlking legend and told in a voice reminiscent of folktales, the story features a queer romance and a cast that presents white. The convoluted magic system undercuts the strong themes of reciprocity, poverty, and privilege, but Appalachian readers will instantly recognize home.
A sweet if muddled tale of the magic of Appalachia. (Fantasy. 13-18)Pub Date: Aug. 5, 2025
ISBN: 9798890032706
Page Count: 336
Publisher: Page Street
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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