A vigorous, first-rate sequel.
Teenagers on a strange planet search for a way back to Earth while battling villainous slavers in this second installment of Gale’s (World of Dawn: Arise, 2017, etc.) YA sci-fi series.
In the previous book, set in 2017, 17-year-old Tanner; his friends Colby and Simon; and sisters, Anna and Tabby, got in a car accident and somehow found themselves on the World of Dawn. The new planet has its share of dangers, particularly giant creatures, such as horse-sized scorpions. But the group has fortunately made a few allies, such as Glooscap of the Sawnay people. He, Tanner, and all of the others are journeying to meet with the mysterious Women of the North, who may be able to help the teens get back to Earth. Then they receive a message from the Sawnay village, saying that a traitorous man named Cawop is manipulating the people into appointing him the new chief. As the group debates changing direction toward the village, they stumble upon some evil slavers attacking a band of nomads called the Denoon. Tanner and the others thwart the assault, but a slaver abducts one of Tanner’s friends and escapes, which precipitates a rescue mission. When it becomes clear that the slavers are plotting “to wipe out the Denoon,” Glooscap and the teens must decide to either move on or stay and fight. Gale’s boisterous series entry is brimming with danger; at one point, Tanner even discovers that the enigmatic One Who Sees All has put a bounty on him, personally. The teens—and readers—continue to learn more about the World of Dawn, encountering familiar mythological creatures and fellow Earthlings from past eras, including one man from the year 1070. Bloody action scenes abound, resulting in the death of a member of Tanner’s group. However, the author does occasionally offset the violence with humor; in one standout scene, for instance, Tanner faces a brutish slaver who’s listening to Michael Jackson’s 1982 song “Thriller” on an apparently stolen Sony Walkman. The novel ends with lingering questions and undeterred baddies, with an eye toward a future installment.
A vigorous, first-rate sequel.Pub Date: April 28, 2018
ISBN: 978-1-5434-2521-5
Page Count: 302
Publisher: Xlibris
Review Posted Online: Dec. 19, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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