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LOCKE 1928

Name: LOCKE 1928
Author: Shawna Yang Ryan
ISBN: 978-1-59420-207-0

by Shawna Yang Ryan ‧ RELEASE DATE: April 20, 2009

Fascinating material clumsily shaped.

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Using a handful of characters, debut novelist Ryan offers impressions of a Chinese-American community in 1920s California.

Richard Fong is in bed with Chloe in a brothel. Down the hall, Poppy See mourns his abandonment of her, while on the river a craft bearing three mystery women gatecrashes the Dragon Boat Festival. The author offers a historically accurate portrait of Locke, an agricultural settlement near Sacramento leased to the Chinese by a white owner. The men work on the local ranches picking fruit and vegetables. We learn that 38-year-old Richard manages a gambling hall, that 17-year-old Chloe, the only Caucasian in the brothel, is his favored whore, that Poppy is the madam and that the arrival of the smuggled “boat-women” is a pivotal event. One of them is Ming Wai, who married Richard ten years earlier, in 1918, and lost face when he left China without her. Her two companions, given sanctuary in the church, have dozens of suitors in a town where men outnumber women 20 to one, but Ryan scants the comic/dramatic potential of this setup by skittishly turning her attention to other characters or evoking their pasts in their Chinese homeland. There’s a second, lightly sketched interracial relationship involving a Chinese pastor and his white wife, whose teenage daughter, a stereotypical danger-courting runaway, has become friendly with Chloe. The only real plotline traces Richard’s violent breakup with Chloe after his wife arrives; Poppy, a soothsayer, believes all three boat-women are water ghosts. The novel’s supernatural and realistic elements compete awkwardly for dominance. The supposed ghosts get their chance to wreak havoc when the levees break, but despite a number of deaths their status remains a mystery.

Fascinating material clumsily shaped.

Pub Date: April 20, 2009

ISBN: 978-1-59420-207-0

Page Count: 300

Publisher: Penguin Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2009

Categories:

LITERARY FICTION

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CONCLAVE

by Robert Harris ‧ RELEASE DATE: Nov. 22, 2016

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

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Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

Categories:

GENERAL THRILLER & SUSPENSE | LITERARY FICTION | RELIGIOUS FICTION | SUSPENSE | SUSPENSE

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.