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ONCE WE WERE SISTERS

A MEMOIR

In spare, delicate prose, Kohler brings a seasoned novelist’s skills to this deeply moving, compelling memoir.

Novelist Kohler (Dreaming for Freud, 2014, etc.) reflects on her beloved older sister, Maxine, who was tragically killed in a car accident at the age of 39.

In this intimate, exquisitely written memoir, the author’s first work of nonfiction, she explores the impenetrable bond that can exist between sisters. As the daughters of a wealthy white timber merchant, Sheila and Maxine enjoyed all of the privileges of living on a vast estate outside of Johannesburg in the postwar years under apartheid. Yet upon their father’s untimely death, their seemingly idyllic lives were disrupted as their domineering and impulsive mother abandoned their home and moved with the girls to various new settings. In chapters alternately moving back and forth in time, Kohler recalls pivotal moments throughout their lives: their experiences living on the family estate, being shuttled off to an Anglican boarding school, and their glamorous travels to European cities together as young women, travels that unfortunately led to their early and regrettable decisions to marry. Eventually, raising their families in different cities, each was forced to confront unfaithful husbands—in Maxine’s case, an increasingly violent man who would become responsible for her death. Through these shifts of time and with an expanding consciousness, Kohler subtly seeks to unravel secrets that emerge within each individual. Maxine’s life and the mysterious circumstances surrounding her death serve as a touchstone and became a source of inspiration for the author’s writing. “In story after story,” writes Kohler, “I conjure up my sister in various disguises, as well as other figures from our past. Her bright image leads me onward like a candle in the night. Again and again in various forms and shapes I write her story, colored by my own feelings of love and guilt.”

In spare, delicate prose, Kohler brings a seasoned novelist’s skills to this deeply moving, compelling memoir.

Pub Date: Jan. 17, 2017

ISBN: 978-0-14-312929-5

Page Count: 256

Publisher: Penguin

Review Posted Online: Oct. 5, 2016

Kirkus Reviews Issue: Oct. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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