A doff of the cap to the septuagenarian new monarch, more affectionate than satirical.
Oh dear, oh dear! Heavy lies the royal crown on King Charles III’s head.
Worried lest the royal diadem not look as right on him as on his late lamented mum, the kingster follows his wife’s advice and heads for his “Happy Place.” That would be the royal garden, because “he could potter there for hours / with honey bees and birds and trees, / and butterflies and flowers.” There he meets Tom, the White-presenting royal gardener, who reminds him that he has many hats to wear—from a shower cap in the bath to a hard hat while joining workers at a construction site, from a rain hat when meeting farmers to a hairnet when touring a bakery—and so the crown is just one more, to be sported on public occasions: “And you will smile and wave. / Your crown is very heavy, / But remember… / …kings are brave.” Though the sight of the famously stiff new monarch cavorting wildly with children at a party and gamboling about the garden, kilt flapping in the breeze, may push an incredulous chortle past the stiffest upper lip, Beech does get the prominent royal nose and ears just right in his scribbly cartoon pictures. Crowd scenes offer racially diverse groups of onlookers, and a statue of Queen Victoria, scowling at the pigeon on her head, adds a suitably irreverent note to the close. (This book was reviewed digitally.)
A doff of the cap to the septuagenarian new monarch, more affectionate than satirical. (Picture book. 6-8)Pub Date: April 18, 2023
ISBN: 9781803381350
Page Count: 32
Publisher: Welbeck Flame
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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