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THE GREAT WORK

A sweet, thrilling fable about the toll of grief and what it takes to fill a monster-sized hole.

A shy young man joins his eccentric uncle on a wild hunt to kill a dragon and raise the dead.

Tussling with the unknown always comes with inescapable risks, but men generally only find madness and heartache when they start looking for meaning in an impossible universe. Gentler than Melville but less redemptive than Coelho’s magnum opus, The Alchemist (1993), this unpredictable adventure novel offers a heady reflection on science, faith, and the necessity of myth. Sampson “Gentle” Montgomery is a man in profound grief, soothed only by heroic doses of “Sweet Vitriol,” a potent combination of opium and laudanum. His best friend and scientific partner, Liam O’Kelly, is dead, killed by a gargantuan alabaster salamander terrorizing the Pacific Northwest circa the 1890s. Gentle is convinced that he can use his partner’s knowledge of alchemy, combined with the beast’s blood, to resurrect Liam from the grave. But a hunting trip takes money, a problem soon solved when Gentle’s runaway nephew, Kitt, shows up at his door, fleeing habitual abuse from his father, Gentle’s cruel brother, Emmanuel. Together, they head into the frontiers of Washington State, armed only with a copy of Liam’s alchemical spellbook, but they’re not alone. Before long, they’ve run afoul of a hypermasculine hunter named Hercules Belmont and a maniacal frontier warlord, Reverend Judge Malcolm Crane, not to mention a nihilist death cult, infected by apocalyptic visions generated by the animal they’ve dubbed “Leviathan.” Costa’s debut uses familiar building blocks, from the inherent quest for an impossible creature to the frontier violence that works so memorably in Stephen Graham Jones’ The Buffalo Hunter Hunter (2025). Whether Gentle is a visionary or a drunk, whether the salamander is a creature of flesh or a shared delusion, and ultimately, the meaning of the mission is as much about human frailty and grace as the nightmares that stalk the page.

A sweet, thrilling fable about the toll of grief and what it takes to fill a monster-sized hole.

Pub Date: Nov. 4, 2025

ISBN: 9781683695059

Page Count: 336

Publisher: Quirk Books

Review Posted Online: Oct. 10, 2025

Kirkus Reviews Issue: Nov. 15, 2025

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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