This colloquial first-person novel is set in rural North Carolina in some unspecified time before the modern civil-rights era. In a vigorous, rambling voice, 12-year-old Leon, a mischievous, African-American boy, relates the dramatic events that take place the week before he and his more compliant twin brother are baptized. These vivid happenings include Leon’s separation from Luke during a tornado and the theft of his mother’s savings by his ne’er-do-well stepfather, Filthy Frank. Given the hefty length of some chapters, and stream-of-consciousness approach, the arrangement by the days of the week seems artificial. And the narrative is weighed down by a confusing explanation of characters and events from previous stories (the acclaimed books about Buddy Bush). Moses is forthright about the unsavory legacy of slavery: Leon’s wealthy white grandfather owned his black grandmother, and the white man who murdered Leon’s beloved father was never charged. This intimate portrait of family and community eventually hits its stride as Moses makes a distinctive contribution in her portrait of a southern black church from the inside out. Includes an enlightening author’s note and acknowledgements. (Fiction. 11-14)
Pub Date: Jan. 9, 2007
ISBN: 1-4169-0671-1
Page Count: 144
Publisher: McElderry
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 1, 2006
Categories: CHILDREN'S SOCIAL THEMES
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Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
Upton Sinclair’s The Jungle meets Left for Dead/The Walking Dead/Shaun of the Dead in a high-energy, high-humor look at the zombie apocalypse, complete with baseball (rather than cricket) bats.
The wholesome-seeming Iowa cornfields are a perfect setting for the emergence of ghastly anomalies: flesh-eating cows and baseball-coach zombies. The narrator hero, Rabi (for Rabindranath), and his youth baseball teammates and friends, Miguel and Joe, discover by chance that all is not well with their small town’s principal industry: the Milrow corporation’s giant feedlot and meat-production and -packing facility. The ponds of cow poo and crammed quarters for the animals are described in gaggingly smelly detail, and the bone-breaking, bloody, flesh-smashing encounters with the zombies have a high gross-out factor. The zombie cows and zombie humans who emerge from the muck are apparently a product of the food supply gone cuckoo in service of big-money profits with little concern for the end result. It’s up to Rabi and his pals to try to prove what’s going on—and to survive the corporation’s efforts to silence them. Much as Bacigalupi’s Ship Breaker (2010) was a clarion call to action against climate change, here’s a signal alert to young teens to think about what they eat, while the considerable appeal of the characters and plot defies any preachiness.
Not for the faint of heart or stomach (or maybe of any parts) but sure to be appreciated by middle school zombie cognoscenti. (Fiction. 11-14)Pub Date: Sept. 10, 2013
ISBN: 978-0-316-22078-1
Page Count: 304
Publisher: Little, Brown
Review Posted Online: June 26, 2013
Kirkus Reviews Issue: July 15, 2013
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