In this romance, emotional damage is no match for the power of kindness.
A child’s fingers slip away from Abbie Sinclair’s frantic rescue attempts, drowning into the mud, while her lover, Werner, is captured and left to die due to corporate greed in Peru.
The trauma leaves her suffocating in confused, guilty nightmares, unable to resume her work as a documentary filmmaker. Why did Werner continue to film instead of helping her rescue the child? Why did she allow herself to be dragged to safety? Her best friend, Celeste, sends Abbie to recuperate with her relatives in the genteel poverty of Stargazey Point, S.C. The three octogenarian Crispin siblings, of course, need Abbie as much as she needs them. Marnie’s mysterious past gives her the strength to manage her sister, Millie, who refuses to give up on their dilapidated house. Their brother, Beau, obsessively sculpts wood and helps Cabot Reynolds—the small town’s prodigal son—restore his uncle’s carousel. Abbie meets darkly handsome Cab at dinner her first night with the Crispins. Suspicious of Abbie’s motives, Cab reluctantly squires her about town. Things turn sentimental at this point, with a flock of neglected, impoverished—and in some cases abused—children, who desperately need Abbie’s attention, and an old Gullah woman, whose second sight penetrates to the very core of every troubled soul. Noble’s (Beach Colors, 2012) sophomore novel unfortunately does little with the intriguing threads of Abbie’s haunted past, instead weaving her troubling tale into a standard romance. From Cab’s flight from a materialistic fiancee and heartless corporate exploitation to Beau’s mysterious reluctance to show his art, the troubles in Stargazey Point evoke little surprise. Even the careful restoration of the carousel becomes a metaphor for the simple notion that helping others is the key to healing the self.
In this romance, emotional damage is no match for the power of kindness.Pub Date: July 9, 2013
ISBN: 978-0-06-225834-2
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: June 19, 2013
Kirkus Reviews Issue: July 1, 2013
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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