by Shelli Chosak ‧ RELEASE DATE: Dec. 10, 2015
Sage words, but tough love, for mothers and fathers.
A guide to better parenting through self-assessment.
Chosak is a mother of three with a doctorate in psychology, and a licensed psychotherapist specializing in mother-daughter relationships. Her debut draws on these experiences, as well as the work of psychologist Erik Erikson, therapist Virginia Satir, and others, to present various “styles” of parenting, defined as “typical ways of interacting with your child, especially when you are under stress.” The book begins with general concepts in family psychology, which underpin the whole book. Chosak looks at Erikson’s theory of psychosocial development, how parenting norms are passed down through generations, and how notions of unconditional love, bonding, boundaries, and letting go influence parenting. Much of this material can be found in other parenting and psychology books, but the short chapters, clear writing, and abundant examples here make Chosak’s a valuable reference. The majority of the work is devoted to a comprehensive “Parenting Styles Inventory”—20 chapters outlining 20 different styles. For each, the author describes its effects on children and provides anecdotes; offers a rating scale to help readers recognize the style in themselves, their spouses, and their parents; and delivers helpful tips for strengthening or curtailing behaviors. Most of the styles are “seemingly dysfunctional,” such as those of the critical, smothering, helpless, jealous, or user parent. But, with some exceptions, such as abusive parenting, which is “never warranted,” Chosak urges readers to aim for objectivity, yet also remain compassionate in their assessments of themselves. She clearly believes that all parents have the best intentions and that they all, on occasion, fall into several of these styles. Indeed, most parents will find mirrors of themselves, as well as good advice, throughout these chapters. But although compassion is a reassuring goal, objectivity can be difficult to achieve. Chosak deliberately presents “extreme examples” of each style, which are meant to be illustrative but may be too stark to allow for genuine self-evaluation. The laissez-faire, for instance, as described here, “seems not to care at all about her child,” while the user parent is said to see “her child as a pawn.” Although Chosak acknowledges that “the biggest challenge will be honesty,” ticking such boxes may be more alarming than some readers bargain for.
Sage words, but tough love, for mothers and fathers.Pub Date: Dec. 10, 2015
ISBN: 978-1-62287-959-5
Page Count: 188
Publisher: First Edition Design Publishing
Review Posted Online: May 27, 2016
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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