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FOOTPRINTS IN THE SNOW

THE AUTOBIOGRAPHY OF A CHINESE BUDDHIST MONK

A moving, simple spiritual autobiography.

A monk’s tale of misery leading to freedom.

In straightforward prose, Sheng Yen (Orthodox Chinese Buddhism, 2007, etc.) relates his odyssey from hand-to-mouth childhood in 1930s China to lecturing around the world as a premier Chan (or Zen) Buddhist scholar. Becoming a monk was anything but simple for the author, who lived through a time when Buddhist monasteries in China were frequently destroyed. He weaves his personal story of religious yearning and perseverance into a backdrop of political and social turmoil. He was a 19-year-old monk in training when the communist takeover forced him to flee the idyllic life he’d only begun to cherish. He landed in the nationalist army in Taiwan, an unlikely and ill-fitting job for a man who had pledged to avoid harming sentient beings. Nourished by his early training and the few Buddhist texts he could acquire, Sheng Yen began writing religious essays for an influential, necessarily underground Buddhist periodical called Humanity. He steadily built a reputation under the pen name “World-Awakening General.” After years of postponing his calling because of political circumstances, he finally made it out of the army in 1960 and entered a monastery to study Chan Buddhism under a particularly wily, demanding master. Once he learned to stop questioning the unpredictable and exasperating tasks his master assigned, he began a period of seclusion, finally gaining access to the copious library of Buddhist scholarship for which he had longed. His first-person account of China’s communist revolution focuses on practical details, favoring descriptions of meals, clothing and brief encounters over sweeping theoretical generalizations. Although the account unfolds in a charmingly unsophisticated way, its best audience would be those already knowledgeable about Buddhism and familiar with Sheng Yen’s work, for he spares little time explaining rituals and beliefs.

A moving, simple spiritual autobiography.

Pub Date: Oct. 21, 2008

ISBN: 978-0-385-51330-2

Page Count: 256

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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