IMANI’S MUSIC

In this riveting original tale, Imani, an African grasshopper, first persuades the Ancestors to give the ability to make music to everything on earth, then carries his own special songs on a slave ship to the New World. Writing in a poetic, powerfully expressive idiom—“He danced on the path ’tween the ‘Used-to-Be,’ the ‘Here-and-Now,’ and the ‘What’s-Gon’-Come.’ Shoot, it was folks like him that fed the path and kept it alive”—Williams (And in the Beginning, 1992, etc.) captures not only a sharp sense of the joy Imani takes in creating music, but the strength of spirit required to keep at it on the long Middle Passage. “He learned new songs. He sang them bittersweet, but he sang on!” And after the voyage, when he went on to teach his music to those who also came over, they too sang on. A modern, young narrator tells the tale as one heard from her grandfather; using sinuous, stylized figures in both symbolic and literal ways, Daly (The Star-Bearer, p. 110, etc.) takes viewers in stages from the narrator’s time, to the distant past and back. She ends on a moonlit country road, down which walk Grandfather and his young audience, listening to the music of Imani’s many descendants. A rare, resplendent combination of history, folklore, strong imagery, and evocative storytelling. (Picture book. 7-10)

Pub Date: Jan. 1, 2002

ISBN: 0-689-82254-5

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 15, 2001

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Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic.

STICKS AND STONES

Veteran picture-book creator Polacco tells another story from her childhood that celebrates the importance of staying true to one’s own interests and values.

After years of spending summers with her father and grandmother, narrator Trisha is excited to be spending the school year in Michigan with them. Unexpectedly abandoned by her summertime friends, Trisha quickly connects with fellow outsiders Thom and Ravanne, who may be familiar to readers from Polacco’s The Junkyard Wonders (2010). Throughout the school year, the three enjoy activities together and do their best to avoid school bully Billy. While a physical confrontation between Thom (aka “Sissy Boy”) and Billy does come, so does an opportunity for Thom to defy convention and share his talent with the community. Loosely sketched watercolor illustrations place the story in the middle of the last century, with somewhat old-fashioned clothing and an apparently all-White community. Trisha and her classmates appear to be what today would be called middle schoolers; a reference to something Trisha and her mom did when she was “only eight” suggests that several years have passed since that time. As usual, the lengthy first-person narrative is cozily conversational but includes some challenging vocabulary (textiles, lackeys, foretold). The author’s note provides a brief update about her friends’ careers and encourages readers to embrace their own differences. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at actual size.)

Deliberately inspirational and tinged with nostalgia, this will please fans but may strike others as overly idealistic. (Picture book. 7-10)

Pub Date: Oct. 6, 2020

ISBN: 978-1-5344-2622-1

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: Aug. 18, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to...

ESCAPE FROM BAXTERS' BARN

A group of talking farm animals catches wind of the farm owner’s intention to burn the barn (with them in it) for insurance money and hatches a plan to flee.

Bond begins briskly—within the first 10 pages, barn cat Burdock has overheard Dewey Baxter’s nefarious plan, and by Page 17, all of the farm animals have been introduced and Burdock is sharing the terrifying news. Grady, Dewey’s (ever-so-slightly) more principled brother, refuses to go along, but instead of standing his ground, he simply disappears. This leaves the animals to fend for themselves. They do so by relying on their individual strengths and one another. Their talents and personalities match their species, bringing an element of realism to balance the fantasy elements. However, nothing can truly compensate for the bland horror of the premise. Not the growing sense of family among the animals, the serendipitous intervention of an unknown inhabitant of the barn, nor the convenient discovery of an alternate home. Meanwhile, Bond’s black-and-white drawings, justly compared to those of Garth Williams, amplify the sense of dissonance. Charming vignettes and single- and double-page illustrations create a pastoral world into which the threat of large-scale violence comes as a shock.

Ironically, by choosing such a dramatic catalyst, the author weakens the adventure’s impact overall and leaves readers to ponder the awkward coincidences that propel the plot. (Animal fantasy. 8-10)

Pub Date: July 7, 2015

ISBN: 978-0-544-33217-1

Page Count: 256

Publisher: HMH Books

Review Posted Online: April 1, 2015

Kirkus Reviews Issue: April 15, 2015

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