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LUCY THE GIANT

Oversized and 15, Lucy runs away from her bleak life to find herself faking adulthood in an adventure story which takes place in Alaska. After her mother’s abandonment, Lucy has felt obligated to become the caretaker for her alcoholic father. The distance between the two is enormous, notwithstanding Lucy’s frequently rescuing him from the cold storage room at his favorite bar. Lonely and ridiculed for her size at school, Lucy becomes attached to a stray dog only to learn that it is so ill that death is inevitable. Hurt and angry, she suddenly abandons her life in Sitka and finds herself transported to the Bering Sea, where the crab-fishing season is underway. Taken for an adult, she signs on as a crabber and discovers strength in herself and friendship, as well as earning respect and cash in the adult world. With a prologue that takes place ten feet below the surface of the Bering Sea, readers are always aware that ultimately events will become desperate. The overwhelming kindness of most strangers and the fortuitous play of events undermine the edge acquired by this device. Written in many terse sentences that might be intended to indicate homage to Hemingway (The Old Man and the Sea features in the narrative), Smith’s staccato style is occasionally effective, but often irritating. There is an abruptness in the action, an unrealistic scene where Lucy matches tequila shots with a fisherman, and the pacing falters. The narrative teeters between portraying the rugged life in the Arctic waters and the fragility of Lucy internal musings. The unusual setting and the issue of self-esteem as it relates to size are pluses in this otherwise middling first YA effort. (Fiction. YA)

Pub Date: Feb. 1, 2001

ISBN: 0-385-72940-5

Page Count: 217

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2001

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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