A distressing and compelling tale that carries an implicit warning about contemporary events.
A Jewish mother and her young daughter escape from the pogroms in Ukraine in Ostroff’s historical novel.
It is August 1919, in the Ukrainian town of Pogrebische. Bullets are flying through the window of the home of Shaindel and Avrum Pogrebiske; World War I has ended, but the Russian Civil War is in full swing. The Bolsheviks are fighting the White Army (made up of peasants and royalists), and both are fighting the Ukrainian separatists. One thing they have in common is their mutual hatred of Jews. Avrum, a member of the Jewish defense unit, is away at a meeting being held at the wall of the sugar factory with a commander of the Ukrainian National Army. His and Shaindel’s 3-year-old daughter, Elta, is hiding in her bedroom. It is the beginning of a murderous night of bloody pillaging by the peasant army (“Maria screamed several times until her voice was lost amidst the smashing of dishes. Furniture toppled. A door slammed. Horses’ hooves pounded above our heads”). Shaindel crawls to Elta’s bedroom during a pause in the ransacking of her home and escapes with her daughter through the back door, finding refuge with Avrum’s sister, Bluma Loeb, where she learns of the slaughter that took place at the factory wall. Shaindel’s sister, Chava Robbins, is living in New York’s Lower East Side, and Shaindel realizes that now she and Elta must join Chava in America. From the novel’s riveting opening chapters through Shaindel’s multiyear struggle to reach America, Ostroff captures the texture of Eastern European Jewish life. Tension is palpable throughout the narrative, and the tale, based upon Ostroff’s family saga, is packed with historical information, highlighting the rampant antisemitic violence and the intricacies of navigating America’s increasingly restrictive immigration requirements. Beneath the ever present fear and despair is a story of courage, determination, and intense family devotion.
A distressing and compelling tale that carries an implicit warning about contemporary events.Pub Date: Nov. 28, 2023
ISBN: 9798862381344
Page Count: 304
Publisher: Self
Review Posted Online: Dec. 7, 2023
Kirkus Reviews Issue: Feb. 1, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
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