A deft, patient portrait of grief.
After calamity strikes, the members of the Olander family struggle to find their paths back to each other.
The children of an American father and an Indian mother, Karina and Prem Olander have learned to stick together. Thirteen-year-old Karina defends Prem, 8, from school bullies and even walks hand in hand with him on the way home, but she wants her time alone, too. Pushing Prem away one afternoon so that she can spend time trying on makeup and talking to her best friend, however, leads to a deadly accident. With each chapter telling the story from a different family member’s perspective, Gowda (The Golden Son, 2016, etc.) traces the fallout lines with compassion and a keen eye for the lies we tell ourselves to avoid facing our own demons. While Prem watches from someplace after death, his and Karina's parents split up, with their father, Keith, submerging himself in his work in the financial industry and making some ethically questionable decisions. Their mother, Jaya, drifts away from everyone, rediscovering her spirituality, spending hours in ritualized prayer, building a temple in the family's home, and following the teachings of a prominent Hindu guru. With Prem’s chapters underdeveloped, Gowda focuses primarily on Karina, tracing her spiral first into depression and then into self-destructive behavior. Once she leaves for college, Karina is primed to fall in love, to be betrayed, and to find solace at the Sanctuary. A communal farm headed by the charismatic Micah, the Sanctuary offers Karina meaningful work surrounded by people who embrace her, bearing witness to her sense of guilt. But as Karina begins to suspect that Micah may not be quite who he claims to be, Gowda ratchets up the tension, shifting gears into a thriller late in the game, setting in motion the family’s reunion.
A deft, patient portrait of grief.Pub Date: March 17, 2020
ISBN: 978-0-06-293322-5
Page Count: 352
Publisher: Custom House/Morrow
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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