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ELIZABETH BACON CUSTER AND THE MAKING OF A MYTH

Leckie (History/University of Central Florida) deftly discerns Elizabeth Custer's central role in the making of the Custer legend, thus simultaneously celebrating a strong woman and deflating a frontier hero. When George Armstrong Custer was killed in 1876 during the battle of Little Bighorn, his wife, Elizabeth, was only in her mid- 30s. Childless, she inherited a mass of debts—Custer was a notorious gambler—and the charge of securing her husband's reputation. Custer, the Union's daring boy general, had throughout his short life inspired either great affection or visceral dislike among his fellow soldiers. His death on the battlefield provided an opportunity for both his admirers and his detractors to define his place in history. To his critics, the battle, in which 210 of Custer's men lost their lives, was typical of the man's ambition and vanity—he would do anything to advance himself. In letters to the secretary of war, Custer's detractors accused the general of disobeying orders and indulging in reckless behavior—but they soon came up against Elizabeth, who, devotedly enduring all the privations of army life on the frontier, had accompanied her husband to Texas and out to the West. Widely respected and admired, she would soon silence the critics as she devoted the rest of her long life—she died in 1933—to creating and maintaining the legend of her beloved ``Autie,'' whom she eloquently extolled in well- received memoirs and lectures. Leckie records all the relevant biographical and historical events: the couple's courtship in Michigan; Custer's Civil War exploits; his postwar campaigns; the pair's married life, not always idyllic (Custer was a flirt as well as a gambler); and changing contemporary attitudes to the general's once heroic status. An admirably researched, well-wrought portrait of a talented woman who attained literary fame, financial independence, and—by shaping her husband's image and keeping his name alive—her ``heart's desire.''

Pub Date: April 1, 1993

ISBN: 0-8061-2501-2

Page Count: 416

Publisher: Univ. of Oklahoma

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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