A prescient, sometimes-lyrical book about memory, genealogy, and destiny.
DicKard’s debut novel tells the story of multiple generations of female activists, environmentalists, and community organizers.
The author chronicles the lives of Eliza, who comes of age in the 1800s; Harmony, who lives in the present day; and Amisha, whose narrative begins in 2075. Eliza is the matriarch of the family and the owner of a special desk made of an oak’s “heart wood.” The desk imbues its owners with a love of the land and a calling to protect the Earth from ecological destruction. Harmony, the only character’s voice rendered in first person, witnesses firsthand the rapid environmental destruction caused by corporate manipulation and greed. She refuses to sell, or even leave, her homestead in Luna Valley, Northern California, as many of her neighbors have, and she commits to growing her own food and working with local environmental activists to offset a seemingly inevitable disaster. Decades later, Amisha will find her way back to this homestead in an effort to try to reconnect to the Earth. The desk inexplicably “call[s]” her back to her family’s property, where she pores through Harmony’s journals and communes with nature. She heeds Eliza’s warning from almost 200 years ago: “If we don’t make protecting our earth the heart of everything we do…then everything else we do will be in vain.” Over the course of this book, DicKard deftly oscillates among three time periods, which keeps the narrative moving forward at a brisk pace. Although the book can be polemical in tone, the author peppers her prose with lyricism; for example, like the women before her, Amisha finds solace in the forest’s “silence…like soft moss” or the scent of tomato: “old and earthy, touched with a tinge of long ago.” Striking metaphors (“Night closed its blanket of darkness”) paint a vivid portrait of the world and ominously show what could become of it if people don’t take the necessary steps to save it. Occasional moments, as when Harmony humorously calls email an “electronic phone tree,” provide a necessary levity in an otherwise sobering story.
A prescient, sometimes-lyrical book about memory, genealogy, and destiny.Pub Date: March 14, 2020
ISBN: 978-1-73453-640-9
Page Count: 440
Publisher: Sierra Muses Press
Review Posted Online: May 29, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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