A prescient, sometimes-lyrical book about memory, genealogy, and destiny.
DicKard’s debut novel tells the story of multiple generations of female activists, environmentalists, and community organizers.
The author chronicles the lives of Eliza, who comes of age in the 1800s; Harmony, who lives in the present day; and Amisha, whose narrative begins in 2075. Eliza is the matriarch of the family and the owner of a special desk made of an oak’s “heart wood.” The desk imbues its owners with a love of the land and a calling to protect the Earth from ecological destruction. Harmony, the only character’s voice rendered in first person, witnesses firsthand the rapid environmental destruction caused by corporate manipulation and greed. She refuses to sell, or even leave, her homestead in Luna Valley, Northern California, as many of her neighbors have, and she commits to growing her own food and working with local environmental activists to offset a seemingly inevitable disaster. Decades later, Amisha will find her way back to this homestead in an effort to try to reconnect to the Earth. The desk inexplicably “call[s]” her back to her family’s property, where she pores through Harmony’s journals and communes with nature. She heeds Eliza’s warning from almost 200 years ago: “If we don’t make protecting our earth the heart of everything we do…then everything else we do will be in vain.” Over the course of this book, DicKard deftly oscillates among three time periods, which keeps the narrative moving forward at a brisk pace. Although the book can be polemical in tone, the author peppers her prose with lyricism; for example, like the women before her, Amisha finds solace in the forest’s “silence…like soft moss” or the scent of tomato: “old and earthy, touched with a tinge of long ago.” Striking metaphors (“Night closed its blanket of darkness”) paint a vivid portrait of the world and ominously show what could become of it if people don’t take the necessary steps to save it. Occasional moments, as when Harmony humorously calls email an “electronic phone tree,” provide a necessary levity in an otherwise sobering story.
A prescient, sometimes-lyrical book about memory, genealogy, and destiny.Pub Date: March 14, 2020
ISBN: 978-1-73453-640-9
Page Count: 440
Publisher: Sierra Muses Press
Review Posted Online: May 29, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...
Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.
Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.
Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.Pub Date: June 25, 2019
ISBN: 978-0-385-54425-2
Page Count: 544
Publisher: Doubleday
Review Posted Online: March 3, 2019
Kirkus Reviews Issue: March 15, 2019
SEEN & HEARD
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