MacLaine is wickedly honest about moviemaking, sincere and enthusiastic in describing her beliefs, and welcoming in the...
The award-winning actress reflects on her latest film and her previous life.
MacLaine, a talented woman who believes in reincarnation, is getting a lot out of this life. She’s acted in more than 50 films and written 14 books, including this one. At 81, she’s acting in another film and writing a book about it. Wild Oats (2016), a screwball comedy about an elderly woman (MacLaine) who mistakenly receives a very large social security check and decides to take her friend (Jessica Lange) on a lavish vacation, was over five years in the making and $500,000 in debt before it even started shooting in the Canary Islands, which some believed “were the remnants of Atlantis.” After the musical chairs of finalizing actors and director and with funding somewhat secured, the cast was flown to the island’s opulent Lopesan resort, and her “adventure” began. She writes in a jaunty, casual, daily diary style, providing affectionate portraits of her fellow actors: Billy Connolly (in one scene, “he made me laugh so hard, I nearly developed a herniated disk), Lange (“beautiful, intense, and a brilliant dramatic actress”), Demi Moore (sweet…and nervous”), and Howard Hesseman (“adorably funny”).” MacLaine was constantly anxious about the ongoing efforts to raise funds, calling it “amateur hour,” and at one point worried, “Why am I here? Are we going to shoot a movie…or ourselves?” However, it ended well: “It had all been worth it to me for so many reasons.” The author’s insider’s portrait of the moviemaking world sparkles, but it’s dimmer when she engages in her New Age ruminations (“I feel that I am in alignment with my soul’s destiny”).
MacLaine is wickedly honest about moviemaking, sincere and enthusiastic in describing her beliefs, and welcoming in the skepticism of others—it’s all refreshing and fun.Pub Date: March 1, 2016
ISBN: 978-1-5011-3641-2
Page Count: 256
Publisher: Atria
Review Posted Online: Dec. 5, 2015
Kirkus Reviews Issue: Dec. 15, 2015
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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