A stale, disjointed collection of observations from a Hollywood legend.
With her latest release, Academy Award–winning actress MacLaine (Sage-ing While Age-ing, 2007, etc.) won’t remind readers why she's been so successful entertaining others. What begins as a memoir laid out in brief, anecdotal chapters on all that the author is “over” and “not over” rapidly descends into a jumbled mash-up of her personal beliefs on everything under the sun. Ranging from politics (“Terrorism is just a convenient excuse for those in power to gently instruct us to go quietly into that good night”) to good lighting (“You want the camera high and the key light low”), MacLaine jumps from subject to subject with such a rapid-fire pace that readers barely have a chance to keep up with her. The author is well-known for her humor, which makes an occasional appearance in this volume—“I am appalled at the number of people who are famous for doing absolutely nothing but being seen at parties”—and she provides brief moments of insight: "The studios don’t like to take risks anymore...They seem to be reflecting the fear experienced everywhere...these days.” But the author's strengths are offset by sections in which the author displays a lack of humility: “Those of us in show business sometimes call people who are not in show business ‘civilians’ because they don’t understand what is takes to be loved by being ‘really’ real...[we lead] civilians to water but never let them drink.” A book in midlife crisis.
Pub Date: April 5, 2011
ISBN: 978-1-4516-0729-1
Page Count: 224
Publisher: Atria
Review Posted Online: April 3, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
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