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THE FINAL MARTYRS

Somber, haunting stories that resonate with compassion, eloquence, and metaphor. Once again, Endo (Foreign Studies, 1990, etc.) explores the themes for which he is famous: Roman Catholics in Japan, the illness and fear of aging, the pain of divorce, the loneliness of childhood. In this collection of 11 stories written over the last 30 years, autobiography continues to take a front seat: Endo finds inspiration in his own experience with lung disease to address physical suffering; in his parents' loveless relationship to address loss of innocence and compromise; in his own experience with Christianity to address, as the apostate in the almost epic title story, the question of whether or not it is all right to be afraid and run away from a commitment to Christianity in the face of persecution; and in his increasing age to tackle nostalgia, regret, and resignation. To make these heavy topics even murkier, they often overlap in ways that would be overwhelming to someone without Endo's fresh and gentle touch. Spiritual decline feels natural as ``A Fifty-year-old Man,'' a disillusioned husband, offers an almost comic look at watching his dog die a slow death. In ``Shadows,'' it's a relief when a writer finally understands that he doesn't understand the priest who was his childhood mentor, nemesis, and betrayer. And we recognize the writer in ``The Box'' who follows the trail of postcards he finds in an antiques shop to discover love, betrayal, and espionage while wondering if ``perhaps I think up such nonsensical, irrational things because I am getting old.'' What might otherwise feel like giving up becomes giving in to the unrecognized power of the human condition. This is the precious uncertainty of all of Endo's delicate dreams. A strange celebration of life and death that is wise but never weary.

Pub Date: Sept. 27, 1994

ISBN: 0-8112-1272-6

Page Count: 208

Publisher: New Directions

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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