It may conclude in 1992, but Sheldon's latest is sheer 80's excess—the compulsively readable, sin-laden saga of a tycooness who's part Donald Trump, part Leona Helmsley. Though Sheldon's recent heroines (Memories of Midnight, etc.) have been sexy saints, his earlier leading ladies had a crueler edge—just like young Canadian Lara Cameron here, who in a series of canny real-estate deals uses her body as well as her wits to climb out of backwater poverty. With $3 million in her pocket, Lara moves to Chicago, multiplies her fortune, and, in 1984, takes on N.Y.C. There, even as she puts up a Monopoly board's worth of hotels and office buildings, including the world's tallest; battles sexism in the industry; and proves wildly generous to her employees, Lara reveals a darker side—slapping one worker; drugging prospective investors with Valium; harassing tenants by turning their building into a de facto homeless shelter; bedding mob lawyer Paul Martin. Is Sheldon depicting the evolution of a monster? Not at all—for outweighing these flaws, he hammers home, are Lara's ``independence and courage, her talent and vision and generosity.'' And her loneliness, dispelled by marriage to star pianist Philip Adler, the perfect icing on Lara's cake. So where's the drama? It comes in spades in the late 80's, as the market crashes: Lara's fortune dwindles; her ex-secretary writes a tell- all book; and the law starts poking into the casino that Lara set up with Paul Martin's crooked help, and into the attack by a thug- -hired by a jealous Lara?—who cut Philip's wrist and career. Can it be that, like another hotel queen, Lara will end up wearing stripes? Don't bet on it. Savvy Sheldon knows that nothing becomes the rich and famous like a little scandal, and that a faux-morality tale like Lara's needs an upbeat ending to play big—as this one will, right to the top. (Literary Guild Dual Selection for November)
Pub Date: Oct. 1, 1992
ISBN: 0-688-08490-7
Page Count: 412
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1992
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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