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COMPROMISED CAMPUS

THE COLLOBORATION OF UNIVERSITIES WITH THE INTELLIGENCE COMMUNITY, 1945-1955

A detailed investigation of the extent to which American universities, Harvard and Yale in particular, collaborated with government intelligence agencies in monitoring and suppressing political dissent in the early cold war period. In 1954, Diamond (Sociology and History/Columbia) was fired from Harvard by Dean McGeorge Bundy for failing to show ``complete candor'' about his past association with the Communist Party. The issue resurfaced in 1977 with the publication of Seymour Martin Lipset and David Riesman's Education and Politics at Harvard, which portrayed the university as standing firm against the anticommunist hysteria of the McCarthy period. A long-running controversy ensued when Diamond charged in The New York Review of Books that his experience placed Harvard's integrity on this point in question. Here, Diamond looks beyond his own case to the broader question of how far Harvard and Yale were complicit, despite their official neutrality, in FBI and CIA surveillance and manipulation. The existence is alleged of an ``intelligence-university complex,'' a discreet but active partnership between university authorities and the intelligence agencies. At Harvard, the Russian Research Center was intimately linked with the CIA, Diamond argues, while at both Harvard and Yale the FBI recruited college officials, faculty, and students to inform the agency of any left-tending unorthodoxies in the political views of their fellows. A glittering cast of informants includes Harvard President James B. Conant, Henry Kissinger, and William F. Buckley, Jr. (Buckley is given star billing, with a chapter all to himself describing how he could not find God at Yale, but found J. Edgar Hoover instead). Diamond's evidence is carefully assembled, and much of it comes from the FBI's own files, despite the limitations of the Freedom of Information Act. (The book is interesting for its account of these censorship difficulties alone.) Persuasively argued and thoroughly documented, this is clearly no mere set of unfounded allegations.

Pub Date: May 1, 1992

ISBN: 0-19-505382-6

Page Count: 416

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1992

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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