A rich, immersive narrative founded on impeccable scholarship.
Second in Pike’s trilogy about ethnic, political, and religious strife in sixth-century Celtic Britain.
Pike’s intent in this trilogy, as expressed in her exhaustive author’s note, is twofold: to reconstruct a factual basis for Arthurian legend and to shed more light on Languoreth, a queen who was outshone in history by her brother Lailoken, later known as Myrddin—or Merlin. The action covers the period from 572 to 580 C.E. Languoreth is the wife of Rhydderch, heir apparent to King Tutgual, and her brother is a Wisdom Keeper and a warrior in Uther Pendragon’s Dragon Warriors. War ignites as Tutgual’s forces, led by Rhydderch in alliance with the depraved pedophile Gwrgi, march on the Dragons. Because of her brother’s affiliations, Languoreth endures house arrest in Tutgual’s hall despite the fact that her oldest son, Rhys, is fighting on Tutgual’s side and the fact that her mother-in-law, Queen Elufed, (a Pict, which will prove significant later) is her ally. The third protagonist here is Angharad, 9-year-old daughter of Languoreth and Rhydderch. The child accompanies the Dragons to their stronghold to further her training as a Wisdom Keeper, but she is caught up in a siege. After the Dragons’ defeat in a catastrophic battle, the three principals disperse along separate paths. Lailoken goes into exile, Angharad falls in with Picts and priestesses, and, as her husband’s political fortunes increase, Languoreth seems to resign herself to her marriage of convenience. Artur (Arthur) is introduced as a minor character. With its plethora of information on the ethnicities, languages, and geography of post-Roman Britain, this novel might risk having only niche appeal if it weren't for the propulsive plot and flawed humanity of its characters. Invading Germanic Angles will sorely test the Celts’ always questionable ability to unify in defense. Pike continues to elucidate the feminist struggles of the matriarchal Old Way against encroaching patriarchal Christianity. Languoreth’s role remains diminished, less by Lailoken than by the constraints imposed on women by noblesse oblige.
A rich, immersive narrative founded on impeccable scholarship.Pub Date: Sept. 15, 2020
ISBN: 978-1-5011-9145-9
Page Count: 480
Publisher: Atria
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: July 1, 2020
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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