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CIRCLES OF ROUND

Ostensibly aimed at very young children, the concepts and text have something a tad middle-aged about them, making this a...

Although this book deals in circularity, there is something oddly square about the concept and the language.

The joke of the book is that in the town of Round, where everything is circular, a Triangle comes to try to change the circles into angular shapes. His efforts are ultimately unsuccessful, and the Circles are affirmed in their circularity. Triangle realizes that “this market could never be cornered.” This and several other puns will likely present a challenge to older children and will certainly pass over the heads of the young children to whom this book appears to be directed. The illustrations are problematic as well. Strips of colored paper are rolled, curled and folded into silhouettes and then photographed. The book is not helped by the uneven quality of the photography. For a book like this to work, the photographs of strips of paper in various configurations would need to be a good deal sharper and easier on the eye, as well as treated more consistently with regard to shadows and orientation. The generally heavy shadows and dull colors give the book a morose rather than cheery cast. The central illustration that shows the intrusive Triangle falls unfortunately in midspread and casts a heavy shadow, making it quite hard to interpret.

Ostensibly aimed at very young children, the concepts and text have something a tad middle-aged about them, making this a messy miss. (Picture book. 3-5)

Pub Date: Aug. 23, 2013

ISBN: 978-1-927018-18-7

Page Count: 40

Publisher: Simply Read

Review Posted Online: June 25, 2013

Kirkus Reviews Issue: July 15, 2013

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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PERFECTLY NORMAN

From the Big Bright Feelings series

A heartwarming story about facing fears and acceptance.

A boy with wings learns to be himself and inspires others like him to soar, too.

Norman, a “perfectly normal” boy, never dreamed he might grow wings. Afraid of what his parents might say, he hides his new wings under a big, stuffy coat. Although the coat hides his wings from the world, Norman no longer finds joy in bathtime, playing at the park, swimming, or birthday parties. With the gentle encouragement of his parents, who see his sadness, Norman finds the courage to come out of hiding and soar. Percival (The Magic Looking Glass, 2017, etc.) depicts Norman with light skin and dark hair. Black-and-white illustrations show his father with dark skin and hair and his mother as white. The contrast of black-and-white illustrations with splashes of bright color complements the story’s theme. While Norman tries to be “normal,” the world and people around him look black and gray, but his coat stands out in yellow. Birds pop from the page in pink, green, and blue, emphasizing the joy and beauty of flying free. The final spread, full of bright color and multiracial children in flight, sets the mood for Norman’s realization on the last page that there is “no such thing as perfectly normal,” but he can be “perfectly Norman.”

A heartwarming story about facing fears and acceptance. (Picture book. 3-5)

Pub Date: May 1, 2018

ISBN: 978-1-68119-785-2

Page Count: 32

Publisher: Bloomsbury

Review Posted Online: March 3, 2018

Kirkus Reviews Issue: March 15, 2018

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