by Sigrid Rausing ‧ RELEASE DATE: Sept. 5, 2017
A stylish and devastatingly lucid memoir.
The piercing, fragmented story of how the author watched the horrific toll drug addiction took on her brother and his wife.
Granta publisher Rausing’s (Everything Is Wonderful: Memories of a Collective Farm in Estonia, 2014, etc.) brother Hans first became addicted to heroin in his late teens. Haunted by his history of drug abuse, the author chronicles Hans’ downfall while probing patterns in her family that made them all complicit in this tragedy. Born to wealth, Hans spent his young adulthood in and out of rehabilitation programs that, along with the other “props” of a privileged life—nannies, staff, and “sordid doctors”—could allow addicts to go on “in a twilight existence…for years.” He met his future wife, Eva, while both were recovering from drug relapses. When they married in 1992, they seemed determined to not let their respective pasts impact their future together: “They [went] to 12-step meetings…and they gave money to addiction charities.” But eight years into their marriage, both Hans and Eva stopped going to their meetings, “let go of solidarity with other addicts,” and began taking drugs. In the mid-2000s, still unaware of the extent of Hans’ resurgent addiction, Rausing and her family admonished Eva to seek help. However, in retrospect, the author saw that Eva “[no longer] believed in rehab” and still thought of herself as immune from total self-destruction. By 2007 and under court order, Hans and Eva’s children had gone to live with Rausing; by 2012, “all communications ceased.” Not long afterward, Eva was found dead of an overdose, and police arrested a dazed Hans on suspicion of murder. The narrative resonates because Rausing, a private person, shares intimate memories and expresses her sentiments about events that the media sensationalized. As she understands it, addiction is not only a family disease, but also an “endlessly revolving merry-go-round” that keeps addicts and family members trapped in alternating victim/victimizer roles of “guards and hostages.”
A stylish and devastatingly lucid memoir.Pub Date: Sept. 5, 2017
ISBN: 978-0-451-49312-5
Page Count: 224
Publisher: Knopf
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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Pulitzer Prize Finalist
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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