by Simon Hall ‧ RELEASE DATE: Sept. 15, 2016
An impressive history of a year’s political tensions, necessarily limited in focus but still sweeping and in-depth.
A year of dramatic changes around the world.
Taking an ambitious, panoramic view of a single year, Hall (American History/Univ. of Leeds; Rethinking the American Anti-War Movement, 2011, etc.) examines major events in postwar Europe, America, Africa, the Soviet Union, and the Middle East. Although the choice of 1956 is necessarily arbitrary, the author makes a strong case for its significance in capturing “the contradictions of the decade” that played out as liberation movements in some areas and repression in others. In Poland and Hungary, populations rose up against communist oppression; in the U.S., racial violence erupted over efforts to desegregate buses and integrate the University of Alabama. Escorted by police officers and a college dean, the first black student was pelted with “rocks, eggs, mud balls and curses,” leaving her “overcome with terror.” Also during this time, major colonial powers faced the ends of their empires: France tried to suppress uprisings in Algeria, while Britain cracked down on Cyprus but granted independence to Ghana. Flexing their muscles, France and Britain signed an agreement with Israel to launch a war to overthrow Egyptian president Gamel Abdal Nasser, undermining Eisenhower’s efforts to find a peaceful resolution to the Suez Canal crisis. A surprising speech by Nikita Khrushchev, denouncing Stalin, softened the rhetoric of the Cold War. Hall’s focus is almost exclusively political: he devotes only one chapter to cultural eruptions such as rock ’n’ roll, which was condemned as “cannibalistic and tribalistic” and stoked public fears about “errant sexual behavior.” Elvis Presley appeared on TV, evoking “a storm” of criticism; the city of Santa Cruz banned rock ’n’ roll at public gatherings. Hall sees the music as “one manifestation of a wider cultural and generational revolt” that included poet Allen Ginsberg’s “Howl” and playwright John Osborne’s Look Back in Anger. Contemporary newspaper reports give the author’s month-by-month narrative a vivid, you-are-there quality.
An impressive history of a year’s political tensions, necessarily limited in focus but still sweeping and in-depth.Pub Date: Sept. 15, 2016
ISBN: 978-1-68177-205-9
Page Count: 528
Publisher: Pegasus
Review Posted Online: June 7, 2016
Kirkus Reviews Issue: July 1, 2016
HISTORY | MODERN | WORLD | GENERAL HISTORY
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BOOK REVIEW
by Simon Hall
by Lisa Taddeo ‧ RELEASE DATE: July 9, 2019
Dramatic, immersive, and wanting—much like desire itself.
Based on eight years of reporting and thousands of hours of interaction, a journalist chronicles the inner worlds of three women’s erotic desires.
In her dramatic debut about “what longing in America looks like,” Taddeo, who has contributed to Esquire, Elle, and other publications, follows the sex lives of three American women. On the surface, each woman’s story could be a soap opera. There’s Maggie, a teenager engaged in a secret relationship with her high school teacher; Lina, a housewife consumed by a torrid affair with an old flame; and Sloane, a wealthy restaurateur encouraged by her husband to sleep with other people while he watches. Instead of sensationalizing, the author illuminates Maggie’s, Lina’s, and Sloane’s erotic experiences in the context of their human complexities and personal histories, revealing deeper wounds and emotional yearnings. Lina’s infidelity was driven by a decade of her husband’s romantic and sexual refusal despite marriage counseling and Lina's pleading. Sloane’s Fifty Shades of Grey–like lifestyle seems far less exotic when readers learn that she has felt pressured to perform for her husband's pleasure. Taddeo’s coverage is at its most nuanced when she chronicles Maggie’s decision to go to the authorities a few years after her traumatic tryst. Recounting the subsequent trial against Maggie’s abuser, the author honors the triumph of Maggie’s courageous vulnerability as well as the devastating ramifications of her community’s disbelief. Unfortunately, this book on “female desire” conspicuously omits any meaningful discussion of social identities beyond gender and class; only in the epilogue does Taddeo mention race and its impacts on women's experiences with sex and longing. Such oversight brings a palpable white gaze to the narrative. Compounded by the author’s occasionally lackluster prose, the book’s flaws compete with its meaningful contribution to #MeToo–era reporting.
Dramatic, immersive, and wanting—much like desire itself.Pub Date: July 9, 2019
ISBN: 978-1-4516-4229-2
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: May 19, 2019
Kirkus Reviews Issue: June 15, 2019
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Mark Booth ‧ RELEASE DATE: Jan. 15, 2008
As pretentious as it is outlandish, but at least authentically mind-boggling.
An encyclopedic, lavishly illustrated attempt to discern an alternative-belief system in the broad diversity of ancient paganism and mystical offshoots of the major faiths.
“Christianity contains a hidden tradition of the gods of the stars and planets,” proclaims British publishing executive Booth. While much of this tradition, including biblical allegories, has been denigrated by Mother Church, it has hardly been hidden. The author’s mystical guardian institutions include the Christian-associated Freemasons and Rosicrucians, which both arose at the outset of the 18th century from earlier origins; Cabalism on the Hebrew side; and Sufism from Islam. Much of the problem with this roughly chronological narrative is its hazy documentation: Readers must be content with “a friend of mine” or “an initiate I met” as substantiating sources. Likewise, we must accept Booth’s own innate ability to peer into antiquity and presume the influence of “mystery schools” on such figures as Plato. He seamlessly moves from reportage to proselytizing, presenting for instance a precise date in the 12th millennium BCE as the moment when matter reached its final solidified state in the progression of existence from pure thought (preceding matter itself) through a “human vegetable” state to the present form. Tracing this progression, Booth cites all kinds of permutations, fairy tales and familiar hippie spiritualist icons along the way. Humankind loses its third eye, can no longer directly interact with spirits and deities, must be content with the stifling restrictions of the scientific method to comprehend creation, etc. One culminating highlight: George Washington, a known Freemason, decrees that the capital city be laid out to reflect the geometry of the constellation Virgo, thus inviting “the mother goddess” to participate in determining the future of the United States. Somebody should tell President Bush to please get in touch.
As pretentious as it is outlandish, but at least authentically mind-boggling.Pub Date: Jan. 15, 2008
ISBN: 978-1-59020-031-5
Page Count: 448
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2007
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