Reading the book is like flipping through 500 channels without stopping—lots of color and glimpses of interesting moments,...
Three continents, 60 years and what feels like countless characters define this dense novel about politics, science and morals.
If that seems like too much, you’re right, it is. Ings, a British science journalist and science-fiction writer, bounces madly from the London blitz to the moon landing to our celebrity-soaked present day, but he never stays in one place long enough to make a reader feel caught up in the swim of history. And the characters just keep coming: There’s Saul Cogan, an employee at a London philosophical society who gets drawn into a circle of revolutionaries in Mozambique; Stacey Chavez, a B-list actress whose stepfather is a business partner of Nick Jinks, who deals in human trafficking; Anthony Burden, a supposedly brilliant mathematician who’s prone to emotional breakdowns and stuck in a failed marriage while living on an Israeli kibbutz; and, somewhat inexplicably, Jim Lovell, the commander of the ill-fated Apollo 13 mission, who runs a tony restaurant outside Chicago. Ings tries to connect the disparate timelines and characters, but unlike similarly ambitious novels like Don DeLillo’s Underworld or David Mitchell’s Cloud Atlas, this one never coheres into the illuminating vision of geopolitical chaos that the author intended to create. But though the book’s pleasures are only intermittent, they do exist: Ings is a graceful writer, and he’s on firm footing in the sections about Cogan’s involvement in London’s late-’60s revolutionary foment, and his descriptions of urban pranksters, squatters and activists of both the peace-and-love and violent varieties are informed and engaging. Indeed, it’s obvious that Ings would have been much better served choosing a particular moment and spending time with it, instead of taking this ocean-wide, foot-deep approach.
Reading the book is like flipping through 500 channels without stopping—lots of color and glimpses of interesting moments, but little coheres.Pub Date: Feb. 1, 2007
ISBN: 0-8021-7030-7
Page Count: 432
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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