Reading the book is like flipping through 500 channels without stopping—lots of color and glimpses of interesting moments,...
Three continents, 60 years and what feels like countless characters define this dense novel about politics, science and morals.
If that seems like too much, you’re right, it is. Ings, a British science journalist and science-fiction writer, bounces madly from the London blitz to the moon landing to our celebrity-soaked present day, but he never stays in one place long enough to make a reader feel caught up in the swim of history. And the characters just keep coming: There’s Saul Cogan, an employee at a London philosophical society who gets drawn into a circle of revolutionaries in Mozambique; Stacey Chavez, a B-list actress whose stepfather is a business partner of Nick Jinks, who deals in human trafficking; Anthony Burden, a supposedly brilliant mathematician who’s prone to emotional breakdowns and stuck in a failed marriage while living on an Israeli kibbutz; and, somewhat inexplicably, Jim Lovell, the commander of the ill-fated Apollo 13 mission, who runs a tony restaurant outside Chicago. Ings tries to connect the disparate timelines and characters, but unlike similarly ambitious novels like Don DeLillo’s Underworld or David Mitchell’s Cloud Atlas, this one never coheres into the illuminating vision of geopolitical chaos that the author intended to create. But though the book’s pleasures are only intermittent, they do exist: Ings is a graceful writer, and he’s on firm footing in the sections about Cogan’s involvement in London’s late-’60s revolutionary foment, and his descriptions of urban pranksters, squatters and activists of both the peace-and-love and violent varieties are informed and engaging. Indeed, it’s obvious that Ings would have been much better served choosing a particular moment and spending time with it, instead of taking this ocean-wide, foot-deep approach.
Reading the book is like flipping through 500 channels without stopping—lots of color and glimpses of interesting moments, but little coheres.Pub Date: Feb. 1, 2007
ISBN: 0-8021-7030-7
Page Count: 432
Publisher: Black Cat/Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2006
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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