A spinoff of a locked room mystery with limited suspects and a gothic atmosphere perfect for the Holy Terrors.
Plans for a very small, very private wedding don’t include the murder of a guest.
Alistair Kincaid is a young bishop in an insalubrious area of London, but his morning television show has made him and his fiancée, actress Diana Hunt, well-known figures. Now that they’ve solved several sensational murders, they’re known as the Holy Terrors. Because they don’t want their upcoming nuptials spread all over the newspapers, they’ve planned a wedding at the Pale Rider hotel in the wilds of Cornwall and invited only a small group of people: Diana’s parents; the best man and bridesmaid, both old friends; and Bish’s university tutor, Canon Crispin Browne, who’ll marry them. The venue isn’t very attractive, but Norman and Alice Makepeace, the anxious owners, have sent all the help away and sworn to keep everything secret. There are a number of stories about the original Pale Rider, a smuggler in times of yore, and the Flying Justice, a dagger housed in the ancient wedding chapel. Diana’s parents, Edward Buchanan and Charlotte Glory, are also actors with long careers, a bit down on their luck recently as parts haven’t come their way. After best man Giles Mason and bridesmaid Eliza Howard have a tiff and the group enjoys a cold spread for dinner, Alice arranges a séance with herself as the medium. Plenty of disturbing things occur, but most consider all the spooky goings-on a performance until they find Giles stabbed to death. With the power cut off by a storm, they can’t call the police, so the Holy Terrors have to rescue their own wedding from chaos.
A spinoff of a locked room mystery with limited suspects and a gothic atmosphere perfect for the Holy Terrors.Pub Date: May 5, 2026
ISBN: 9781448317509
Page Count: 192
Publisher: Severn House
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.
An ordinary woman finds extraordinary adventures on a river cruise on the Seine.
Muriel Blossom acknowledges that she’s a “no-frills” person, a trait that served her well when doing surveillance for Baltimore PI Tess Monaghan. When she gets an unexpected upgrade on her British Airways flight to Paris, she finds herself not only in business class, but on the other side of the looking glass. Allan Turner, a handsome stranger, befriends her in the Chesapeake Lounge, which her upgrade allows her to access. She misses her connection at Heathrow because of the weather, so he invites her to share his luxurious suite in a London hotel, paid for, he insists, by his firm. Then he sends her off on the Eurostar train to reach Paris via the Chunnel in time for her ship’s departure. Once in Paris, she meets another stranger, younger but equally attentive. Danny Johnson takes her to a friend’s atelier in the Marais where the plus-sized Muriel can find the fashionable clothing she deserves. A mysterious man in a bellman uniform knocks on her hotel-room door and invites her to leave her luggage in the hallway so it can be transferred overnight to her ship, but of course she realizes that’s nonsense. She also receives the news that Allan died in a fall from his balcony the night after she left London. When Danny turns up on her cruise, she knows something’s off, but she can’t put together the pieces. That’s because Lippman is unrivaled in her ability to lay out clues in a way that makes them seem not only mysterious, but downright surreal. Only at the end does everything fit together so naturally that it all seems blazingly obvious. Like Muriel, who’s patient and sensible to the end, you’ll just have to wait.
Another gem from Lippman, with a heroine who elevates being ordinary to an art form.Pub Date: June 17, 2025
ISBN: 9780062998101
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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