by Simon R. Green ‧ RELEASE DATE: Jan. 2, 2008
A dryly humorous, darkly quirky vacation from mundane reality.
The magical noir subgenre has become very crowded lately, but Green claims his own enjoyably edgy piece of it with this eighth Nightside novel (Hell to Pay, 2006, etc.), set in a perpetually dark corner of London inhabited by gods, demons and other less savory denizens.
Private investigator John Taylor, possessed of a magical gift that allows him to find just about anything, accepts the infamous tabloid the Unnatural Inquirer as a client. Accompanied by adorable half-demon reporter Bettie Divine, he is tasked with locating Pen Donavon, who offered the Inquirer exclusive rights to a DVD that allegedly contains proof of the Afterlife—and then disappeared. Unfortunately, someone is blocking Taylor’s gift. Can Taylor still find Donavon before one of several interested parties gets to him first? Taylor is great fun. Unlike some other noir PIs, he isn’t perpetually getting kicked to the curb. To the contrary, he refuses to take guff from anyone, and he has the power (or at least the sinister reputation) to back him up.
A dryly humorous, darkly quirky vacation from mundane reality.Pub Date: Jan. 2, 2008
ISBN: 978-0-441-01558-0
Page Count: 256
Publisher: Ace/Berkley
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Isaac Asimov ‧ RELEASE DATE: Aug. 16, 1963
A new edition of the by now classic collection of affiliated stories which has already established its deserved longevity.
Pub Date: Aug. 16, 1963
ISBN: 055338256X
Page Count: -
Publisher: Doubleday
Review Posted Online: Sept. 13, 2011
Kirkus Reviews Issue: Aug. 1, 1963
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by Isaac Asimov & edited by Charles Ardai
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