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NEW TEETH

STORIES

A fertile mind provides many smiles in this entertaining collection—and more than a few out-loud laughs.

Many of these 11 stories from gifted humorist Rich explore the joys and trials of parenthood.

Two pirates are all at sea when they discover a stowaway little girl and must add a bit of niceness to their nastiness. A screenwriter reluctantly abandons work to be the Beast in his daughter’s obsession with the Disney-fied fairy tale, but he realizes something about the film that helps transform him into a less-beastly father. When simian superhero Clobbo learns that Empire City no longer needs him, he discovers a new role entertaining his granddaughter with bubble wrap on a Facetime call. A young woman raised by wolves returns to human society at 18 and has a normal life, only interacting with the wolves when they visit for Thanksgiving, and eventually she learns to accept their differences. A story about a medieval king’s not very bright son hiding among peasants during a revolution was adapted for Rich’s TV series, “Miracle Workers.” In his sixth collection of stories, and eighth work of fiction since 2007, Rich presents parody, absurdity, observational wit, the sudden shift in a familiar premise, and a surprising touch of sweetness and charm throughout. Fans won’t find anything quite like Rich’s earlier “Unprotected,” with the point of view of an unused condom in a young man’s wallet, or the macabre twist in “The Tribal Rite of the Strombergs,” when a Scrabble game ends in ritual human sacrifice. A couple of pieces are even a bit clunky. But there is much to smile at here, and “The Big Nap” (nodding to Chandler), which uses noir style for a toddler detective on the trail of his baby sister’s lost unicorn, Moomoo, is so consistently funny, so exceptional in its imaginative use of parody as to be near genius.

A fertile mind provides many smiles in this entertaining collection—and more than a few out-loud laughs.

Pub Date: July 27, 2021

ISBN: 978-0-316-53668-4

Page Count: 240

Publisher: Little, Brown

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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