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SCRIBBLE, SCRIBBLE, SCRIBBLE

WRITINGS ON POLITICS, ICE CREAM, CHURCHILL, AND MY MOTHER

A mixed bag, but with rewards for fans of Schama’s scholarly tours de force, such as The Embarrassment of Riches (1987) and...

Historian and UK TV personality Schama (Art History and History/Columbia Univ.; The American Future: A History, 2009, etc.) gathers scattered pieces, mostly journalistic, blending scholarship and pop culture.

It’s a little tough to imagine, say, T.S. Eliot writing at any length on pinball or air hockey, but roll with it: Schama has all the Oxbridge credentials and is a bona fide intellectual, but he’s also a consumer of food, film, art and other less musty pursuits than haunting the library stacks. Here he roams among pursuits, genially and for the most part without undue stuffiness. An early piece in the collection is an account, published in the New Yorker, of a transatlantic crossing aboard the Queen Mary 2, nice work if you can get it; as if channeling George Steiner, Schama sniffs that it is possible, with all the shipboard amusements, for passengers “who may have mixed feelings about the ocean to ignore it.” He makes up for the petulance, though, by providing a quick historical survey of the amenities available to, say, Charles Dickens and anyone with the means to book passage on the luxury liner today. Elsewhere, the author performs an almost obligatory homage to Isaiah Berlin, dean of his generation of scholars and possessor of a sublimely humane intelligence. Scholarly and popular essays on Churchill, Shakespeare and Charlotte Rampling follow before Schama settles down to the poppiest of his pop-culture subjects, namely food, even as he worries that “the sheer ubiquity and quantity of food-wording has…lowered the bar of quality.” No worries here, for the author’s writing on food is fresh and interesting, as are his remarks at the end of the collection on how to train a generation of younger scholars to be relevant, if not employable on television.

A mixed bag, but with rewards for fans of Schama’s scholarly tours de force, such as The Embarrassment of Riches (1987) and Landscape and Memory (1995).

Pub Date: April 12, 2011

ISBN: 978-0-06-200986-9

Page Count: 432

Publisher: Ecco/HarperCollins

Review Posted Online: April 8, 2011

Kirkus Reviews Issue: Jan. 15, 2011

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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