Tolkien knows his way around a courtroom, that’s for sure, but that doesn’t stop him from resorting to Perry Mason–like...
Standard-issue murder-mystery dramatics unfold in a world far, far away from Middle Earth.
Yes, he’s one of those Tolkiens. This being the debut novel from the 43-year-old London barrister—and grandson of the late, great J.R.R.—Simon is not exactly what you would expect, considering the family name, and that’s most likely a good thing. Undoubtedly, there’s another family member out there wondering why The Lord of the Rings had to end. In any case, Simon’s first book is not about elves or magic at all, but rather something closer to Jeffrey Archer territory. Sixteen-year-old Thomas Robinson is the bookish and retiring son of England’s rather imperious defense minister, Sir Peter Robinson. Lady Anne, Thomas’s mother and Peter’s wife, was murdered a year before the story opens by a couple of thugs plundering the ancestral manse. Only things aren’t quite as simple as that. Peter’s rather too-efficient personal assistant, Greta, had been hanging about the house quite before that, and Anne, being a sensible upper-class British wife, knew a gold digger when she saw one. Tensions had been running high, and Peter had as much as moved out by the time of the murder. To the horror of the already devastated Peter, Thomas accused Greta of the murder. All of this is laid out before the reader in a series of flashbacks that jump back to different points in the tumultuous previous two years and then snap forward to the future and the high-profile murder trial of Lady Greta Robinson. Thomas is obviously terrified, as the same men who killed Anne have already come back to the house once to kill him. There’s nothing exactly wrong with what transpires here: Final Witness is efficiently rendered stuff, but there’s little to shout about.
Tolkien knows his way around a courtroom, that’s for sure, but that doesn’t stop him from resorting to Perry Mason–like cliché if the mood strikes him.Pub Date: Jan. 1, 2003
ISBN: 0-375-50882-1
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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