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LETTERS TO SARTRE

Found in a cupboard and published last year in France, these "lost" love letters follow upon Deirdre Bair's magnificent Simone de Beauvoir (1990) with revelations about the author of The Second Sex and the exact nature of her extraordinary relationship with Jean-Paul Sartre. This passionate, intriguing correspondence (finely translated by Hoare) begins in 1930, when Beauvoir is 21. The bulk Beauvoir writes almost daily from Paris during WW II, when Sartre is in the army and then a prisoner. (The streets, she writes, are "beautiful and sinister after 11—almost deserted, save for constant police patrols, on foot or bicycle, with big capes and gleaming helmets.") Here, in perhaps her most authentic voice, Beauvoir presents herself to Sartre as a devoted lover, desperate for his letters, calling him "my life's own self." Along with quotidian facts of money, classes, and cafes, of reading Dead Souls or watching a James Cagney movie, come wonderful observations—"There are tiny memories which tear at my heart...whereas I'm left quite unmoved by the big, serious things"; or, "belief and desire are really one and the same." What is bound to stir debate is Beauvoir's breathtaking honesty with Sartre about her "contingent" relationships and the fact that, to the end of her life, she gave to the public but a partial and polished view of these affairs. In particular, Beauvoir describes her ongoing emotional and physical involvement—every intrigue and skirmish—with three former students who were also lovers of Sartre. ("But what barren nourishment—all these people who aren't you!") The passion and openness persist in letters written from America (1947-51), where, through the "wire lattice-work" of the Brooklyn Bridge, she sees "red sky" and "gulls on the water," or questions her affair with Nelson Algren ("was it my own sadness that made him gloomy that first month?"). Essential reading for anyone wanting to fathom this still towering, contradictory, revolutionary feminist, what she wrote, and what she made of her life.

Pub Date: Feb. 14, 1992

ISBN: 1-55970-153-6

Page Count: 544

Publisher: Arcade

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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