Chills and thrills enough to attract and please fans of supernatural horror. This one will keep you up all night.

THE APARTMENT

A South African couple seeks respite from their troubled lives by taking a romantic vacation to Paris that quickly becomes the stuff of nightmares.

After masked men break into Mark and Steph’s Cape Town home, they both begin to suffer from paranoia and insomnia despite the fact that neither they nor their daughter was physically injured. Though they're strapped for cash, they find a website that facilitates house swaps and agree to trade a week in South Africa for a week in Paris, hoping that this time away will soothe their anxieties. But from the very beginning of the trip, nothing goes as expected: the Paris couple never shows up in Cape Town, and the apartment in Paris is like the set of a horror movie, complete with a creepy neighbor who utters cryptic warnings like “You be careful here. It is not for living.” When she throws herself out a window, Mark and Steph have had enough and return home. But Mark has been infected by the darkness and continues to have supernatural visions of a dead girl. Steph has to protect herself and her daughter as Mark’s behavior becomes more and more sinister. There are moments of true scariness that emerge from a sustained, deep-seated sense of discomfort, and the novel is very visual, providing cinematic descriptions such as “just for an instant, a skittering, shadowy thing, flat and blank-faced and multi-limbed, darted for me like a trapdoor spider lunging for a fly.” Grey's (The Mall, 2014, etc.) characters are not deeply developed, but they don’t have to be.

Chills and thrills enough to attract and please fans of supernatural horror. This one will keep you up all night.

Pub Date: Oct. 4, 2016

ISBN: 978-1-101-97294-6

Page Count: 288

Publisher: Anchor

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless...

SPLIT SECOND

Two defrocked Secret Service Agents investigate the assassination of one presidential candidate and the kidnapping of another.

Baldacci (The Christmas Train, 2002, etc.) sets out with two plot strands. The first begins when something distracts Secret Service Agent Sean King and during that “split second,” presidential candidate Clyde Ritter is shot dead. King takes out the killer, but that’s not enough to save his reputation with the Secret Service. He retires and goes on to do often tedious but nonetheless always lucrative work (much like a legal thriller such as this) at a law practice. Plot two begins eight years later when another Secret Service Agent, Michelle Maxwell, lets presidential candidate John Bruno out of her sight for a few minutes at a wake for one of his close associates. He goes missing. Now Maxwell, too, gets in dutch with the SS. Though separated by time, the cases are similar and leave several questions unanswered. What distracted King at the rally? Bruno had claimed his friend’s widow called him to the funeral home. The widow (one of the few characters here to have any life) says she never called Bruno. Who set him up? Who did a chambermaid at Ritter’s hotel blackmail? And who is the man in the Buick shadowing King’s and Maxwell’s every move? King is a handsome, rich divorce, Maxwell an attractive marathon runner. Will they join forces and find each other kind of, well, appealing? But of course. The two former agents traverse the countryside, spinning endless hypotheses before the onset, at last, of a jerrybuilt conclusion that begs credibility and offers few surprises.

Assembly-line legal thriller: flat characters, lame scene-setting, and short but somehow interminable action: a lifeless concoction.

Pub Date: Sept. 30, 2003

ISBN: 0-446-53089-1

Page Count: 406

Publisher: N/A

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 15, 2003

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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