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ALIZAY, PIRATE GIRL

Lucky for app bargain hunters, this one’s got it all: a plucky heroine, a funny parrot, lots of treasure and more than...

Alizay, the redheaded pirate preteen of the Bonny Clipper, is always up for a hunt for treasure, especially when it’s with her loving dad, Capt. Rubberfoot (his peg leg is a plunger).

When their ship is becalmed near a mysterious isle, she faces a series of challenges that include a “Frogger”-like river crossing, a music game and secrets that are revealed on a treasure map. Throughout, Alizay stays upbeat and brave, collecting four needles that will reveal the secret of the island. In the best way possible, little is left to chance in the app. Illustrations are richly detailed, with cartoonish animation blending seamlessly with scenes that change perspective when readers tilt the iPad. For younger readers who may not be able to solve all the game’s puzzles, there are “Easy,” “Medium” and “Hard” difficulty settings, and most tough spots can be skipped to continue progressing in the story. There’s not much dazzle in the writing, but the app is more like a clever game with a nice back story than a straight storybook narrative. There’s a lot to Alizay’s adventure, so much so that it wouldn’t have been unreasonable if the developers had broken it up into multiple pirate apps.

Lucky for app bargain hunters, this one’s got it all: a plucky heroine, a funny parrot, lots of treasure and more than enough material to stave off boredom at sea. (iPad storybook app. 4-10)

Pub Date: May 25, 2013

ISBN: N/A

Page Count: -

Publisher: SlimCricket

Review Posted Online: June 25, 2013

Kirkus Reviews Issue: July 15, 2013

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OTIS

From the Otis series

Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)

Pub Date: Sept. 1, 2009

ISBN: 978-0-399-25248-8

Page Count: 40

Publisher: Philomel

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

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HOW TO CATCH A MONSTER

From the How To Catch… series

Only for dedicated fans of the series.

When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.

“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.

Only for dedicated fans of the series. (Picture book. 5-8)

Pub Date: Sept. 1, 2017

ISBN: 978-1-4926-4894-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: July 14, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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