Even though the literary component isn’t wonderful, this app is worth the price of admission thanks to the innovative...
An interactive sequel to The Witch with No Name (2012).
The titular witch is back, and this time she’s looking for love—arguably, in all the wrong places. Obsessed with impressing the narcissistic Merlinor at his annual Halloween Ball, the witch sets out to improve her image. (The magic mirror is partially to blame for this, as it keeps telling her that she’s not marvelous enough for Merlinor.) First she seeks a new wardrobe by visiting German fashion designer Lagerspell, who is fabulous and the one character in the story that shines. She buys a new Ferraci broom and takes etiquette lessons from Mummily Manners. In the end, the witch ends up finding love, but not where she thought she would. There’s a plethora of interactive opportunities throughout the story, many of them delightful. Props to the developers for utilizing the full power of the iPad; SlimCricket harnesses the creative and interactive capabilities of the microphone, camera and tilt action and offers a host of animated touch features. In addition to exploring the tactile magic on each page, readers can complete four tasks to unlock a pleasant little surprise. As with the witch’s first outing, the actual story lags behind in accomplishment, but readers are unlikely to notice this.
Even though the literary component isn’t wonderful, this app is worth the price of admission thanks to the innovative interactive elements. (Requires iOS 6 and above.) (iPad storybook app. 4-8)Pub Date: Oct. 29, 2014
ISBN: N/A
Page Count: -
Publisher: SlimCricket
Review Posted Online: Dec. 5, 2014
Kirkus Reviews Issue: Dec. 15, 2014
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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