Full of intelligence and charm.
A long-divorced pair of 70-something celebrities runs into each other at a ritzy Malibu rehab center.
Tanen's (Are You Going to Kiss Me Now?, 2011, etc.) first novel for adults follows a YA title and a hilarious series of illustrated books featuring yellow chicks. Though her delightful sense of humor infuses the plot and dialogue with sparkle, the characters and their predicaments are not played for laughs, or not only for laughs—along with the farcical situations come moments of real emotion and insight. The novel's title refers to German words that express concepts that take a whole sentence to convey in English, like Verschlimmbessern (“to make matters worse in the process of trying to improve them”) and Schnapsidee (“a plan so stupid, it must have come from a drunken mind”). These and three other such terms are the titles of the five sections of the book. In the first, two senior citizens with celebrated careers turn their lives into train wrecks. Marty Kessler is a retired Hollywood producer whose gold-digging girlfriend packs him off to Directions Rehabilitation Center for yet another stint in rehab when his opioid-and-benzo habit veers out of control. Bunny Small is a gin-swilling British author with a series of bestselling books for teens about a character named Henry Holter. When her estranged adult son, also named Henry Holter, fails to show up at the 70th birthday party thrown for her by her agent, she goes off the rails altogether. She, too, is sent to Directions. The family members who remain in the outside world have troubles of their own: Henry's girlfriend is cheating on him, and now his mother, whom he crossed the globe to escape, has shown up in Los Angeles. Marty's daughters, Janine and Amanda, have never fully recovered from their mother's long-ago suicide; Janine has the additional burden of having been a huge television star when she was a child, while Amanda's twin daughters hate each other. As the characters weather tough times and deal with hurts old and new, love and humor light the way.
Full of intelligence and charm.Pub Date: April 2, 2019
ISBN: 978-0-316-43716-5
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Dec. 24, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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